Chiều nay ăn thịt nướng Hàn Quốc, tôi làm một lọ saké ngâm với chôm chôm tươi. Phê!

Mới đó mà đã hết tuần. Mỗi ngày cũng chỉ quanh quẩn trong nhà, làm việc, ăn, và trông con. Buổi tối đọc sách, viết blog, hoặc làm những dự án cá nhân nên ngủ rất trễ.

Giờ đây chỉ ngủ một mình. Xuân ngủ với bà ngoại. Đạo và Đán ngủ ké với mẹ và Vương. Thằng 11 tuổi và thằng 8 tuổi vẫn ngủ chung với mẹ. Bắt tụi nó ngủ riêng thì vợ cằn nhằn. Tránh cãi vã, vợ muốn sao cũng được. Tôi không ý kiến. Để xem tụi nó bám với mẹ nó đến bao giờ. Dĩ nhiên tình cảm vợ chồng cũng gặp trở ngại nhưng giờ đây cũng không làm gì được. Chỉ biết cố gắng tránh tranh cãi mà thôi.

Từ lúc bị cách ly đến giờ, tôi đã không gặp bạn bè và người thân trừ khi những lúc về thăm mẹ. Tôi đã tạm đóng Facebook gần một tháng nên không rõ những người thân ở xa ra sao. Hy vọng họ được bình an.

I have deactivated Facebook for almost a month haven’t missed it one bit. It’s such a toxic platform. I still use Twitter to stay update with typography and web design. I still have a presence on LinkedIn and Pinterest, but hardly checked them. I signed into Instagram once using Facebook to see a few photos I was interested in. After that, I never bothered to use it. I am not even on TikTok. What other social media networks have I missed?

These days, it either seems cool to be unsocial online or a sign of getting old. I am 42 now; therefore, it must be the latter. I am fine with that. I don’t need to be connected and I definitely don’t need to be constantly bombarded with misinformation. I don’t think I am missing out too much.

I still use RSS to read blogs I have been following. I should make a list of websites I subscribed to and share on my blog. I always return to this tiny space of mine on the internet. A personal website or blog is still better than a mega platform. I can do anything with it. Yes, I can throw up ads too, but I have total control of them. I wouldn’t put ads that would degrade this site; therefore, my readers don’t have to worry. I have a few promotions in the line-up that I am excited about. You’ll see what I mean.

I enjoyed watching Street Food: Asia with my kids, particular my eight-year-old son who likes to cook. In addition to the mouth-watering dishes, the stories behind the chefs were inspiring. They sold food to survive. They showed up and worked hard everyday. The perfected their craft over the years. Seeing people enjoying their food brought them joy. I definitely biased, but the episode in Sài Gòn, Việt Nam was my personal favorite. I loved snails and enjoyed different dishes of snails.

Tập truyện ngắn với những đề tài đầy bạo lực. Trong “Sau lưng người vô tội,” một cô gái bị tra tấn hành hạ dã man và bị trấn nước cho đến chết. Trong “Gương mặt muổi vằn,” ông nội của người kể chuyện bị “mổ bụng moi gan chặt đầu rồi quăng xác xuống dòng sông xanh ngát giữa tháng Giêng.” Rùng rợn hơn là bài “Tiếng mưa rất gần,” được kể lại là lính Mỹ cho chó hãm hiếp đàn bà. Lũ chó đã được huấn luyện để làm chuyện đó. Đọc những câu chuyện như thế khiến tôi bị ám ảnh cho dù cách viết của tác giả cũng tạm được thôi chứ không xuất sắc lắm.

I purchased a handful of fonts from FutureFonts. Unfortunately, most of them are incomplete; therefore, unusable. Their creators have abandon them. The fonts I invested in have no italic yet and only Name Sans supports Vietnamese. In fact, out of the entire FutureFonts catalog, only three fonts include Vietnamese.

Seeing how Stephen Nixon completed his excellent Recursive family, I have high hope that he will complete Name Sans as well. Other than Name Sans, my hope for the fonts I have bought to be usable beyond display typography in English is diminishing. As a result, I have been refraining myself from making anymore purchases from FutureFonts.

Yesterday, I could not resist the temptation from a beautiful serif text face; therefore, I bought Loretta, by Nova Type Foundry. I did a bit of research into Joana Correia’s work and she had completed Alga. She even added added diacritics to Alga, which is also one of the three fonts that supports Vietnamese in FutureFonts catalog. I hope she will complete Loretta with Vietnamese as well. We’ll see.

Thuy On:

The keening of us
the spaces between
a kerning too distant
your clauses conditional
dashes sprinting away
I didn’t want to be modified
& left dangling
but you trailed into ellipsis
and left me falling through gaps.

Via diaCRITICS.

If you read one article today, make it this one. Ibram X. Kendi writes in the Atlantic:

False hope was my new normal, until it wasn’t. When they scanned my body, doctors found that the cancer had spread. I had Stage 4 colon cancer. I had two choices: denial and death, or recognition and life. America now has two choices.

Trump’s denials of his racism will never stop. He will continue to claim that he loves people of color, the very people his policies harm. He will continue to call himself “not racist,” and turn the descriptive term racist back on anyone who has the temerity to call out his own prejudice. Trump clearly hopes that racist ideas—paired with policies designed to suppress the vote—will lead to his reelection. But now that Trump has pushed a critical mass of Americans to a point where they can no longer explain away the nation’s sins, the question is what those Americans will do about it.

Or Americans can realize that they are at a point of no return. No returning to the bad old habit of denial. No returning to cynicism. No returning to normal—the normal in which racist policies, defended by racist ideas, lead to racial inequities.

On this path, Trump’s denialism has permanently changed the way Americans view themselves. The Trump effect is real, and lasting. The reckoning we have witnessed this spring and summer at public demonstrations transforms into a reckoning in legislatures, C-suites, university-admissions offices.

On this path, the American people demand equitable results, not speeches that make them feel good about themselves and their country. The American people give policy makers an ultimatum: Use your power to radically reduce inequity and injustice, or be voted out.

End racism now!

Watching Jonathan Swan interviewing a four-year-old reminded me of conversations with my four-year-old sons. I went through it with my first, second, and third sons. They just have their own limited views that nothing I said could make any sense to them.

For example, the other day my four-year-old son ate the last popsicle we had in the fridge and he asked for more. I told him that we didn’t have anymore and I even opened the fridge to show him that we didn’t have anymore, but his response was, “But I want more.” I explained to him that we ran out of popsicle and even if we had more he wouldn’t allow to have two popsicles at one time. His response was, “But I want it.”

Although I only watched a few minutes of the interview, I could tell that Swan was getting frustrated. No matter how many times he tried to ask his questions and to present the facts, he couldn’t get through the four-year-old mind. When Swan said that the U.S. death toll is 1,000 a day, the four-year-old responded, “It is what it is.” Jonathan, welcome to my world!

Nathan J. Robinson writes in the Current Affairs:

[T]he New York Times, the New Yorker, the Washington Post, the New Republic, New York, Harper’s, the New York Review of Books, the Financial Times, and the London Times all have paywalls. Breitbart, Fox News, the Daily Wire, the Federalist, the Washington Examiner, InfoWars: free!… This doesn’t mean the paywall shouldn’t be there. But it does mean that it costs time and money to access a lot of true and important information, while a lot of bullshit is completely free.

We wonder why people picked up fake news and spread lies. They don’t want to pay for content; therefore, they rely on free shit.

Robinson on ads:

It’s hard for small media institutions to figure out the right balance of depending on ads, paywalls, and donations. The money has to come from somewhere, after all. A lot of the times, that means a heavy dependence on ads—the traditional model of magazines has been ad-revenue based, not subscription-based—so that paywalls are actually the less corrupted model; a podcaster who sells their product on Patreon rather than giving it away but filling it with mattress and “box-of-shit-a-month” ads has an important kind of freedom: they only have to please the audience, not the sponsors.

I am experiencing with magazine-style advertisement on this site and I will avoid selling it mattress and “box-of-shit-a-month.” I want to sell ads that actually like seeing myself. We’ll see how it goes. If it doesn’t work out, I can just take down the ads and replace them with pretty pictures.

I have been blogging vigorously for seventeen years and I still love doing it. The only downside is that I have not been able to make just enough money to pay for the hosting and the domain name. I tried Google Adsense, Amazon Affiliates, text ads, and small graphic banners, nothing worked. I even tried support from readers. That hasn’t worked either.

Back in May, which seemed like ages ago, I started adding photography to accompany the blog posts on this blog. The photos don’t have to be related to the blog posts. My goal was to add rich visuals to the layout. It had been a fun experience selecting the photos and I could always rely on Unsplash Source to load up random images. I hope you have enjoyed reading my blog posts and looking at the photography.

Today, I am extending this concept with paid advertising after thinking about it for several months. Because of the prominent space, which takes up at least half screen of my site, I have to be careful in choosing the right clients and their messages. My ideal ads are from products or services I care deeply about. Although I am not limiting the kind of ads on my blog, I would rather promote things that I enjoy such as typefaces (with Vietnamese diacritics), books, brand recognitions, and digital products.

This is an experimentation. I am not sure if I can make it work, but I want to give it a shot. I emailed several type designers to see if they were interested promote their typefaces with Vietnamese language. As much as I felt uneasy cold-calling people, I was surprised and relieved to get their support.

If you have a product or service you would like to promote to Visualgui readers (over 170,000 pageviews per month), get in touch.