The Hill We Climb

When day comes we ask ourselves,
‘where can we find light in this never-ending shade,’
the loss we carry,
a sea we must wade?
We’ve braved the belly of the beast.
We’ve learned that quiet isn’t always peace,
and the norms and notions
of what just is
isn’t always just-ice.
And yet the dawn is ours
before we knew it,
somehow we do it.
Somehow we’ve weathered and witnessed
a nation that isn’t broken
but simply unfinished.
We, the successors of a country and a time
where a skinny Black girl
descended from slaves and raised by a single mother
can dream of becoming president
only to find herself reciting for one.
And yes, we are far from polished,
far from pristine,
but that doesn’t mean we are
striving to form a union that is perfect.
We are striving to forge a union with purpose,
to compose a country committed to all cultures, colors, characters, and
conditions of man.
And so we lift our gazes not to what stands between us
but what stands before us.
We close the divide because we know, to put our future first,
we must first put our differences aside.
We lay down our arms
so we can reach out our arms
to one another.
We seek harm to none and harmony for all.
Let the globe, if nothing else, say this is true:
That even as we grieved, we grew;
that even as we hurt, we hoped;
that even as we tired, we tried;
that we’ll forever be tied together, victorious,
not because we will never again know defeat
but because we will never again sow division.
Scripture tells us to envision
that everyone shall sit under their own vine and fig tree
and no one shall make them afraid.
If we’re to live up to our own time
then victory won’t lie in the blade
but in all the bridges we’ve made.
That is the promise to glade,
the hill we climb
if only we dare it,
because being American is more than a pride we inherit —
it’s the past we step into
and how we repair it.
We’ve seen a force that would shatter our nation
rather than share it
would destroy our country if it meant delaying democracy.
And this effort very nearly succeeded.
But while democracy can be periodically delayed,
it can never be permanently defeated.
In this truth,
in this faith we trust,
for while we have our eyes on the future,
history has its eyes on us.
This is the era of just redemption
we feared at its inception.
We did not feel prepared to be the heirs
of such a terrifying hour
but within it we found the power
to author a new chapter,
to offer hope and laughter to ourselves.
So while once we asked,
‘how could we possibly prevail over catastrophe,’
now we assert,
‘how could catastrophe possibly prevail over us?’
We will not march back to what was
but move to what shall be:
a country that is bruised but whole,
benevolent but bold,
fierce, and free.
We will not be turned around
or interrupted by intimidation
because we know our inaction and inertia
will be the inheritance of the next generation.
Our blunders become their burdens.
But one thing is certain:
If we merge mercy with might,
and might with right,
then love becomes our legacy
and change our children’s birthright.
So let us leave behind a country
better than the one we were left with.
Every breath from my bronze-pounded chest,
we will raise this wounded world into a wondrous one.
We will rise from the gold-limned hills of the west,
we will rise from the windswept northeast
where our forefathers first realized revolution,
we will rise from the lake-rimmed cities of the midwestern states,
we will rise from the sunbaked south.
We will rebuild, reconcile, and recover
in every known nook of our nation and
every corner called our country,
our people diverse and beautiful will emerge,
battered and beautiful.
When day comes we step out of the shade,
aflame and unafraid.
The new dawn blooms as we free it.
For there is always light,
if only we’re brave enough to see it,
if only we’re brave enough to be it.

Amanda Gorman

Watch Amanda Gorman reads “The Hill We Climb”

Counter Forms Launched

Counter Forms recently launched with four typefaces. Herbik, designed by Daniel Veneklaas, fits my type of text face. Herbik also supports Vietnamese. I am so tempting to purchase it.

Gorman Fires Back

Amanda Gorman tweets:

One parent could get my poetry banned from classrooms. And yet one country can’t ban assault rifles from massacring them.

Letting Go

I am practicing to let go of things that are out of my control. I am letting go of my worries and I am just taking things easy. I don’t know what the consequences will be, but I am feeling less stressed.

After 12 years of taking the helm of the website, I am letting it go. I am getting paid to maintain it and that’s it. I don’t have to own it. I don’t have to take full responsibility for it. I don’t know where I will end up, but I will navigate my way through.

I thought being a parent gets easier as the kids get older, but it is the opposite. I have to let them do their own things. Instead of worrying, I need to focus on getting them to the point where they don’t need me anymore. My job as a parent is to become obsolete.

I am also learning to let go of everything else unnecessary in my life. Let go of the messes, the dramas, the gossips, the politics, the comparisons, the envies, the jealousies, the greedies, and the negativities.

Wanda Sykes: I’m an Entertainer

In her latest Netflix special, Wanda Sykes jokes about her French wife, their twins, racism, politics, covid, and, surprisingly, a whole lot of dicks. Sykes is indeed an entertainer and she is doing an excellent job at it. She landed a punchline on Florida and its governor: “If you want to protect the kids, ban assault weapons. That’s what killing the kids, not the books.” If you want a good laugh, stream it on Netflix.

Some Lifetime to Love Each Other

Don’t look at me anymore, my love
The youthful flower had faded
The virginal fragrance’s already gone.
Don’t look at me, don’t look at me anymore, my love
The eyelids had closed, the lips’s forgotten its smile
You must’ve already forgotten me
The autumn moon broke into two halves
The birds flying in a distant, misty world…
Should I see you, should I see you or not?
If someone would just send words for me,
“That the once vibrant flower’s now forlorn
Sleepless nights on cold pillow.”

If there’s some lifetime for us to love each other
Then please seek for me in a future life
When the youthful flower hasn’t yet bloomed
When youthful love does not yet know fear

If we have ever loved each other
Then please wipe away all your distress
Where are you now, my love?
Where are you now, my love?

Don’t look at me anymore, my love
We already parted our own separate ways
We’d already forgotten one another
Still looking, still looking at me for what, my love
The tears’d poured for a singing voice that passed away
Don’t look at me anymore, my love!

Translated by Vương Thanh

Kiếp nào có yêu nhau

Đừng nhìn em nữa anh ơi
Hoa xanh đã phai rồi
Hương trinh đã tan rồi
Đừng nhìn em, đừng nhìn em nữa anh ơi
Đôi mi đã buông xuôi, môi răng đã quên cười.
Hẳn người thôi đã quên ta
Trăng Thu gẫy đôi bờ
Chim bay xứ xa mờ.
Gặp người chăng, gặp người chăng, nhắn cho ta
Hoa xanh đã bơ vơ đêm sâu gối ơ thờ.

Kiếp nào có yêu nhau
Thì xin tìm đến mai sau
Hoa xanh khi chưa nở
Tình xanh khi chưa lo sợ

Bao giờ có yêu nhau
Thì xin gạt hết thương đau
Anh đâu anh đâu rồi?
Anh đâu anh đâu rồi?

Đừng nhìn nhau nữa anh ơi
Xa nhau đã xa rồi, quên nhau đã quên rồi
Còn nhìn chi, còn nhìn chi nữa anh ơi
Nước mắt đã buông rơi theo tiếng hát qua đời
Đừng nhìn nhau nữa… anh ơi!

Minh Đức Hoài Trinh

DOD

Let’s keep it real. There is no diversity in an environment runs by white men, white privileges, and conservation agenda. Any promotion of diversity is just for marketing purpose. Death of diversity.

Lazy Loading

I updated all my photo galleries with the browser’s built-in loading="lazy" attribute:

<img src="image.png" loading="lazy" alt="">

Learn more at web.dev. I didn’t realize lazy loading has been widely supported in the browsers; therefore, I am a bit late. I love it when browsers implement elements like this so we don’t have to rely on JavaScript to do the job.

Sonny Rollins: Go West!

I spent my beautiful morning commute with the Jazz Legend Sonny Rollins. The clarity and dexterity from his tenor backed up by the crisp drumming from Shelly Manne and the bass thumbing from Ray Brown brightened my day on the opening “I’m an Old Cowhand.” The following track, his emotional reinterpretation of “Solitude” almost made me weep. The vibe continued throughout the box-set collection.

Seth Godin: The Practice

Seth Godin is a voracious blogger. He keeps his prose short and to the point. The Practice reads more like a collection of his blog posts randomly slapped together. I am 60 pages in and calling it quit. I just can’t retain any information from the book; therefore, I just can’t finish it. I am not sure why I had it on my Amazon wishlist when it just came out in 2020. Three years later, I picked up a copy in the library to give it a try. I removed it from my wishlist.

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