I woke early this morning and was saddened by Virginia’s election results until I read that Van Jones called Glenn Youngkin a “delta variant of Trumpism.” It’s true and dangerous, but also hilarious. I have learned the hard way not to invest myself and my emotion into politics.

Like anything in life, politics is just a game. Like any competitive, one-on-one sport, you win some you lose some. As much as I was rooting for the Democratic Party, I had a feeling that they won’t beat the odd this time. The results are in and we just have to accept them. It is the way democracy work. I did my part, but I have only one voice and one vote. Nothing I can do about the results.

We have lived and survived four years under Trump. Just when we thought he was done and gone, a variant of him has shown up. The threat of a “delta variant of Trumpism” is real and it is invading our state. We need to be careful and to protect ourselves, our family, and our community.

I am not going to get mad and depress. I can zone out politics and focus on something else more meaningful to me like skating, reading, or blogging. I am going to keep my head up and just moving forward.

I voted for Democrats up and down the ballot to keep Virginia Blue. Virginia has been progressing and thriving under Democrats. If Republicans take control, we will be heading backward.

As I had pointed out, Glenn Youngkin is simply too dangerous for Virginia. If elected, he will bring in Trump’s racist agenda and Republicans’ death cult to our state. We cannot let him win.

Terry McAuliffe made some parents upset, but I am not mad at him. He had done well for Virginia in his previous term. Let’s give him one more term to make Virginia even better.

I made my case, I voted, and I hope McAuliffe will win, but I won’t let the results get to me if the election won’t turn out the way I wanted. I’ve done my part and that’s all I can do. I don’t want to keep up with politics. I don’t want to follow the news. The previous presidency was very bad for my mental health. I do not want to get myself caught up in it again.

I avoided political discussions at Scout meetings and camping trips. I started talking about ice skating and rollerblading instead and other parents have no interest whatsoever. I encouraged them to start skating and they shook their heads.

My point is that I am aware of politics and I participate in elections, but I am not doing anything beyond that. I don’t want to get involved or to get into arguments in politics. Fuck them.

In my work office, I have an empty desk right next to the huge glad windows. It was set up for a formal colleague until he worked remotely and moved on to a different job. I requested to have the desk removed, but no one bothered to take it out. As a result, I just turn it into my reading table. Whenever I needed a break from my computer desk, I would sit, read, and catch some sunlight. The latest book I am reading is Mark Argetsinger’s A Grammar of Typography. Because the book is so humongous (almost 9 inches by 12 inches and 500 pages), I do not want to lug it around. I also don’t want to damage it either. I read a few pages each day and take my time to enjoy the writing and illustrations. Argetsinger delves into the history as well as every technical aspect of book design. Even though I don’t design books, I find the materials inspiring, especially the examples included throughout the book. It definitely deserves a spot on every designer’s desk as it is already on mine.

The boys went out trick-or-treating around the neighborhood and got buckets full of candies. After that, we went over to my sister-in-law’s house for dinner. The kids hung out together and ate candies while my wife prepared mussels and her sister fried chicken. The kids played video games for a bit.

Everything went smoothly until we got ready to go home. Xuân put his hands inside his jacket and walked up the steps. He slipped and busted his chin open against the hardwood floor. His blood gushed out and my wife freaked out. We put a bandage on him and drove home.

I brushed his teeth and gave him a short bath. I opened up the bandage and saw an opening on his chin. It didn’t look too bad. Should we just let the cut heal on its own or should we take him into the emergency room to stitch it up? Thinking back to my own childhood, I couldn’t recall any incident like this happened to me. If it did, I am sure my mom would have done anything necessary for me.

My wife was freaking out because she had a similar experience when she was a kid and she still has a scar on her chin. We decided to take him to the ER to get him checked out. Fortunately, the children’s ER was empty. We were in and out in about two hours. Although the doctor reassured us that the opening was not so bad, he stitched him up. While the doctor and the nurse were doing the stitching, I held Xuân’s hand and looked away. I learned my lessons not to look at needles, scissors, fresh, and blood. I didn’t want to end up in the ER myself.

We left the hospital around midnight. Xuân wanted to stay in my bed. I watched him sleep for a bit. I was glad that he was doing OK. I will never forget this little accident.

In her eye-opening book, Bernadette Barton, professor of sociology and gender studies, examines America’s raunch culture through sexism, misogyny, and pornography. From politics to religion to workplace, raunch culture has taken over every aspect of our lives. Boys learned about sex though gonzo porn on the internet and applied violent techniques to thier girlfriends. Men objectified women for their own pleasure. Girls competed for sexual attention on social media. The country elected someone who bragged about grabbing women by the pussy to the highest office.

Reading this book made me realize that I had been exposed to raunch culture since I migrated to America at the age of twelve. I noticed the difference between Vietnam and America in regard to sexualized advertisements, rap music videos, as well as the way boys talked about girls at school. I didn’t know what objectify meant, but I was there when a group of boys checked out and commented on girls’ bodies. There was an incident where a boy came up behind a girl and dry-humped her. She punched him back, but the boys laughed. I thought it was inappropriate, but I didn’t say anything. I had friends who handed me adult magazines covered in folders. I took a job at a local video rental store just so I could have access to the porn section. At a certain point, I was craving for real sex after watching porn videos. I had to quit that job and dumped all of my porn stash in the trash as I realized that I had a problem. Nowadays, porn is only a click away. I can’t even begin to imagine if gonzo porns were available when I was growing up.

Reading stories from this book horrifies me. We’re living in a time in which raunch culture is thriving and it is impossible to escape. Fortunately, I am in a different place in my life where I have a meaningful relationship with my wife. She keeps me grounded and away from temptations and seductions. I worry about my boys and their exposure to raunch culture. I had no guidance when I was growing up, but I hope that they can come to us if they come across it.

After reading this book, I am optimistic there is still hope and Barton has provided a path out of raunch culture. Read it, learn it, and apply it.

Our Conversation

I would like to start by asking you to tell us a bit about your background and how design started to become part of your life?

I was born in Mỹ Tho. I left Việt Nam with my family after finishing fifth grade. When I came to America, I realized it was a whole new world for me. The culture, the people, and especially the language, were so different. I did not speak a word of English. I struggled to learn English, even when I entered college many years later. As a result, I chose design to let my work speak for me.

I did not understand much about design. I thought I could just place text and image together to create a design, and yet, my ignorance for design opened up a new door for me. I was not afraid to put out anything. I didn’t know anything about design criticism, which gave me the confidence to enter the design world.

I was drawn into Macromedia Flash because I could combine motion, sound, image, and text. I spent a ridiculous amount of time learning and experimenting with Flash. I made a motion graphic piece in Flash using images of Việt Nam to accompany a song called “Bonjour Vietnam” performed by the Vietnamese-Belgian Singer Phạm Quỳnh Anh. The piece went viral for a period of time. My career took another turn when I switched from multimedia to web, but that was how I got started with design.

What motivated you to write a book on Vietnamese typography?

I wrote Vietnamese Typography as my final thesis for my MA in graphic design. The motivation came out of my frustration with the lack of Vietnamese diacritics in typography. Being a native Vietnamese reader, I know the crucial role of diacritics in shaping the reading experience. Without diacritics, words can have completely different meanings in Vietnamese.

When I began my MA program, the first class I took was advanced typography. In one of our projects, we were assigned to redesign a restaurant menu. When I presented to my professor the menus I had collected, my jaw dropped when he read out loud a Vietnamese noodle house named, “La Cây Chợ Lớn.” Because he read “Chợ Lớn” without diacritics, his words came out so wrong and so vulgar. When it came time for me to do my research for my final thesis, I knew I wanted to introduce proper Vietnamese diacritics to non-Vietnamese audiences, specifically to the type design community.

Do you have any typography or graphic design book that has been an inspiration for your work?

From theory to history and readability to legibility, I spent a tremendous amount of time reading books on typography including Robert Bringhurst’s The Elements of Typography, Karen Chang’s Designing Type, and Sofie Beier’s Reading Letters. You can see my collection of books on typography on my blog.

One of the things I admire in your book is your ability to go beyond the technical aspects of typography, introducing relevant information about the Vietnamese language in a concise and interesting way. Did you have any particular audience in mind when you were writing your book?

Thank you! I am glad that you’ve found the information interesting. As I began to do my research for the book, it became clear that none-Vietnamese type designers were my target audience. Designing for a language that they don’t know can be intimidating. Fortunately, the Vietnamese writing system is based on the Latin alphabet; therefore, it should not be too hard for them to pick up. I wanted to make the information as concise and as approachable as possible so they can feel confidence in designing Vietnamese diacritics. I wanted to give them the basic knowledge that we have when we first learn our Vietnamese alphabet, especially with the emphasis on modified letters and tone marks.

The Vietnamese language has been through radical transformations. The romanization of the Vietnamese writing system comes from the same roots of my mother tongue, Portuguese. When you were writing about the history of the Vietnamese language, did you discover any interesting things that you didn’t know before writing the book?

I must confess that I took our language for granted before writing this book; therefore, researching for the history chapter led me to fascinating discoveries. I knew that Alexandre de Rhodes was credited for the romanization of the Vietnamese writing system, but I didn’t realize the crucial role of Vietnamese scholars, such as Lương Văn Can, Nguyễn Quyền, Dương Bá Trạc, Nguyễn Văn Vĩnh, Trương Vĩnh Ký, Phạm Quỳnh, Nhất Linh, Khái Hưng, Hoàng Đạo, Thạch Lam, Tú Mỡ, Thế Lữ, and Xuân Diệu, whose contributions had made our modern writing system simple yet articulate. I had read Xuân Diệu’s poems over the years, but I had no idea that he played a role in advocating for Việt ngữ.

In your book you comment on possible challenges faced by type designers when considering diacritical marks, which the Vietnamese language is rich of. What do you think are the most common mistakes typographers make when designing for the Vietnamese language?

The most common mistake I have seen typographers make when designing for the Vietnamese language is that they don’t even realize the typefaces they set don’t support Vietnamese. When that happens, software programs or web browsers substitute letters with diacritics with a different font. As a result, you can see a strange mix of characters. When I was writing my book, I spotted many of these mistakes on Medium.com. I haven’t read much on Medium these days; therefore, I am not sure if that has been resolved. I even spotted printed banners at Eden Center, a Vietnamese-American strip mall in Virginia, that were set in scripted fonts, but letters with diacritics are set in a sans serif. They were jarring and yet the banners were printed and displayed on stores’ windows.

Since you wrote your first edition in 2015 have you seen more type designers concerned with the requirements needed for Vietnamese language?

After my book was published online in 2015, I have heard from many type designers around the world showing their interest in including Vietnamese diacritics. They have reached out to me to review their typefaces to make sure the diacritical marks they designed feel natural to Vietnamese readers. I have been glad to help in that capacity.

As a lecturer I often see my students struggling in designing in Vietnamese, some include diacritics marks by hand, but most of them will choose to design with English content instead, as there are more options of typeface available. How do you think we can get more type designers on our side, designing for the Vietnamese language?

Getting type designers on our side was the primary goal for my book. It was the reason I chose to put the entire book on the web for free so it can be accessed anywhere in the world. I have received messages from type designers from different countries thanking me for the resource to help them understand the Vietnamese writing system. Although we have a long way to go, I am pleased to see more and more typefaces released with Vietnamese support.

I understand your students’ struggles. I was in the same boat when I was doing my MA program. If they see typefaces that they want to use, they should contact the designers to see if they are willing to expand their typefaces to support Vietnamese. If the designers get enough demands for Vietnamese support, I am sure they will consider expanding their typefaces.

As for my personal use, I have made a commitment to license only typefaces with Vietnamese support.

Under the ‘type recommendation’ session of your book you present us with a good variety of typefaces designed for the Vietnamese language, which is a great resource for Vietnamese graphic designers. Nevertheless there is a lack of Vietnamese type designers on your list, why do you think it is so difficult to find more Vietnamese type designers?

When I did my research for my book, I only found one Vietnamese type designer and his name is Phạm Đam Ca. He provided insightful information for my book. Since then, I came across only a few more. I am sure there are more Vietnamese type designers I have not heard of. Because my book is published on the web, I can update the recommendation section with new typefaces from time to time. I would love to showcase works designed by Vietnamese designers in the near future. If you know any, please send them my way.

In your opinion, how can we get more Vietnamese people interested in typography?

Through education, like what you are doing with Type Ơi. We need to understand and appreciate the value of typography. We need to learn and to invest in new typefaces rather than to limit ourselves with a handful of fonts that come with our computer. Typography gives our design a voice if we use it effectively. Most of the time, text is all we have and using typography can make or break our design.

What is your perception of graphic design and typeface design in Vietnam?

Unfortunately, I don’t know much about graphic design and typeface design in Việt Nam since I have been living abroad for most of my life. I would love to learn more from you since you are living and working in Việt Nam.

What do you like to see more in terms of Vietnamese graphic design and type design in the future?

I would like to see bolder and stronger use of typography in Vietnamese graphic design. I would like to see more variety in typefaces and less script fonts for everything. I would like to see richer typefaces rather than using default system fonts for Vietnamese websites and online publications. Most importantly, I would love to see more Vietnamese designers entering the type design industry. Type design is the future in the Vietnamese design community.

Do you think living abroad has changed your perception of what typography is or can be?

Absolutely. It was my design education and working experience in the U.S. that gave me a different perspective on designing with type. When I first started in design, I didn’t think much about typography, partly because I only had a handful of fonts to work with for designing webpages, until I worked at Vassar College with a few talented designers who had mastered the use of typography. I learned so much from them and continued to hone it on my own until today.

Often designers will have a selection of typefaces they will use constantly, specially the ones used for body text, do you have a favorite typeface that you use in your projects from time to time?

As a book lover, I have a soft spot for serif text faces. Fern, designed by David Jonathan Ross, is one of my personal favorites for body text. Initially, Fern didn’t have Vietnamese diacritics; therefore, I reached out to David to see if he was willing to draw them. We came to a mutual agreement that I would advise him on Vietnamese diacritics and in return he would license me his typeface. It was a fruitful collaboration. I ended up using Fern for the body copy of Vietnamese Typography.

Finally, are there any other projects coming soon?

I don’t have any personal or passion projects at the moment, but you can follow my blog at visualgui.com to see what I am up to.

When I attended my friend Nate’s funeral, Mrs. Tra Hun thanked me for coming. She still recognized me even though I had not seen her in over a decade. I could tell she was devastated by her youngest son’s death. I could see the tears in her eyes. I could feel the pain in her heart.

I completely froze when I found out this morning that Mrs. Hun had just passed away on Monday—only three months after her son had gone. My heart ached when I learned that she had Covid. Her passing has reaffirmed that this deadly virus is far from over. We can’t let our guard down.

When my mother passed away from Covid, I was in town and wanted to come by their house to see Nate to rekindle our friendship, but I only drove by their house and left. Although I tested negative, I did not want to get them infected, especially Mrs. Hun and her husband. When I saw her daughter at Costco, I asked about the family and she told me that everyone was doing fine. I was relieved.

I knew Mrs. Hun when I started hanging out with her children. Their house was a block from my sister’s old house. Even though she barely spoke English, she made sure that I knew her rule when I came over and she only had one rule: “Sit down and pee.” Mrs. Hun kept her house spotless clean. Her hardwood floors were always shiny that every kid ever came to the house had slipped and fell.

Mrs. Hun worked hard everyday to raise her family. In addition to her full-time job at the greenhouse, she loved to grow vegetables, herbs, and melons in her backyard. She woke up early to water her plants before going to work and spent more time in her garden after work. She was a kind woman who would feed us whenever we stayed at her house. Her love extended beyond her own children. She treated us like her own kids. She always smiled and asked how my mom was doing. She let us hang out at her house through the night as long as we kept our noise to the minimum.

I miss the good old times hanging at their house, playing video games, and eating raw steak with white rice. I miss seeing her smile and hearing her yelling in Cambodian, which I did not understand. Mrs. Hun will always have a special place in my heart. May her body and soul rest in peace.

Xuân didn’t do too well on his ice skating test last week. He struggled with backward crossover and T-stop on his left foot. These two foundation skills are very important for him later on. Unfortunately, he didn’t want to practice. He passed Beta, but doesn’t want to take any more lessons. He wants to learn to play hockey like his brother Đán instead.

Before he could start hockey, I want him to take one more skating class. He will learn the mohawks and 3-turns in Gamma, which will help him with hockey. He agreed to take one more class. Next year, I will enroll him in the Future Caps Learn to Play program so that he can get all the gears and skates for free, which would cost $1,000.

Đán will finish up his Learn to Play Hockey 3 this Saturday. He seems to enjoy it. He will start level 4 next Monday. After that, we will be eligible to join a hockey team. I am not sure if I want to drop $1,600 for him to play on a team. I am sure my wife wouldn’t mind.

Đạo will finish up his Freestyle 1 in two weeks. He doesn’t seem to enjoy figure skates as much as he used to. He is not sure if he wants to take Freestyle 2, but he wants to give hockey a try. I enrolled him into Learn to Play Hockey level 3 and he will start next Monday at the same time as Đán. They just won’t be in the same class.

For me, I am still struggling with one-foot spin. Yesterday, I went to practice, but I could barely do the dance and jump sequences. The rink was a bit crowded. My mind was not in it because I didn’t sleep much the night before. I don’t think I will go to Freestyle 3.

My wife has purchased skiing season passes for Đạo, Đán, Xuân, and me. Đạo and Đán, in particular, are happy and looking forward to skiing. I am grateful, but also feeling guilty. With season passes, we will most likely spend our weekends skiing and less time tidying up the house. As much as I would love to go skiing with the kids, I dread not taking care of things around the house. I asked my wife to see if she could cancel the passes.

How should I begin this? I’m just so offended
How am I even mentioned by all these fuckin’ beginners?
I’m so appalled, I might buy the mall
Just to show niggas how much more I have in store
I’m fresher than you all, so I don’t have to pause
All of y’all can suck my balls through my drawers
Dark Knight feeling, die and be a hero
Or live long enough to see yourself become a villain
I went from the favorite to the most hated
But would you rather be underpaid or overrated?
Moral victories is for minor league coaches
And Ye already told you we major, you cockroaches
Show me where the boats is, Ferrari Testarossas
And Hammer went broke so you know I’m more focused
I lost thirty mil’, so I spent another thirty
’Cause unlike Hammer, thirty million can’t hurt me
Fuckin’ insane, the fuck am I saying?
Not only am I fly, I’m fuckin’ not playing
All these little bitches too big for they britches
Burning they little bridges, fuckin’ ridiculous

JAY-Z (an excerpt from “So Appalled”)

I have been re-listening to Kanye’s My Beautiful Dark Twisted Fantasy. “Monster” is so sick and energetic that it dominated the next track. What turned me off on “So Appalled” was Swizz Beatz’s hook, but then JAY-Z contributed such a hard verse on it that I like to quote it in full.

Last night, I just wanted to catch a glimpse of the Korean TV series that everyone is talking about and I couldn’t stop watching until two in the morning. I am hooked on the concept of adults playing the children games. If they win the money goes into the jackpot. If they lose, they get shot in the head. It is pretty wild what human beings would do for money out of desperation. I’ve always enjoyed the over-the-top violence in Korean’s films and this one is no exception.