Loving…

Tuan Ngoc’s rendition of Doan Chuan and Tu Linh’s “Gui Nguoi Em Gai” from Thang Bay Chua Mua. Besides his marvelous skill of grabbing notes on the high register, what makes Tuan Ngoc a singer’s singer is his attention to the lyrics. Gotta love the way he throws the accent on “be” in “Canh hoa tim tim be xinh xinh bao xuan nong.” I have heard many versions of this tune, yet no one puts the emphasis on that little word the way he does.

Ca Chien Tuong (Fried Fish with Bean Sauce)

Like mama says, “Mo coi cha an com voi ca. Mo coi ma lot la ma nam.” That’s why I still have the banging Ca Chien Tuong with Rau Muong (Vietnamese Spinach) and fresh sliced mango marinated in fish sauce even though pops has not been around. He’s still chilling in Viet Nam all these years. You can preach all you want, mama. Just feed me your food.

Better Luck Next Time

A successful singer needs both vocal and aural skills. She has to be able to sing as well as hearing what she sings. Van Quynh has a fantastic voice, yet lacks the ear for good tunes. Her debut Uoc Mot Ngay kicks off with a dynamic, hypnotic rendition of “Mot Thoi De Yeu” giving the album a promising start. Unfortunately, even her powerful vocals couldn’t save the rest of the lackluster tracks. She’s still young and inexperienced at crafting an album, but Thuy Nga’s producers should have known better.

Charity Work

On Tinh Khuc Cho Em, Quang Dung throws Thai Ha a bone. She’s only a passable singer with soft and rangeless vocals. On their duet “Vung Lay Cua Chung Ta,” Quang Dung pulls her out of the mud. Her insomnia-cured voice only makes his sounded more superior than it actually is. Charity is the only reason he made this album. Whether he did it for the kids or for her, the profit should (as she has claimed) go to help the children in Viet Nam. So if you cop this album illegally, you should go to hell. Fuck it, I’ll be there with ya.