In the past few days, I immersed myself into the life of Miles Davis through the pen of John Szwed. I read from 10 pm (when the kids went to bed) until 1:30 in the morning, went to sleep with Miles in my head, and then got up at 5 am to read some more. Even though I have read a numerous books on Miles including his autobiography, I find Szwed’s So What enlightening. Most of Miles stories have been told before, but Szwed made some corrections through his extensive research and interviews of Miles’s family members. Once again, I lost count of how many women Miles had slept and slapped, but the way that he treated Frances Taylor, in particular, as told in this book is quite appalling.

Although Szwed claims in the introduction that this book is not a musical study, he had done anexcellent job of briefly discussing Miles’s albums from Birth of the Cool to Doo-Bop. If you want more in-depth studies of Miles’s music, however, make sure to pick up Richard Cook’s It’s About That Time: Miles Davis On and Off Record after finish reading this book.

After replacing the windshield with scratches for our car, the technician failed to come back two times. We waited for them two days and wasted eight hours for nothing. Someone was suppose to come today around 2-4pm, but no call and no show. This is ridiculous. If you call your work perfection. You better live up to it. This company is nowhere near its name. I would never use this shop again.

Perfection Glass, inc

501 East Diamond Ave
Gaithersburg, MD 20877
240-454-5812

1. Fewest possible typefaces
2. Fewest possible type sizes
3. No letterspacing of lowercase (which was then still used for emphasis in German-speaking countries)
4. Emphasis by using italic or bold of the same face
5. Use of capitals only as an exception, then carefully letterspaced
6. Format text lines into not more than three groups

“Out went symmetry, ornament and drawn illustration; in came white space, plain letterforms and photographs,” Richard Hollis writes in his insightful book that examines the progression of Swiss style dating from 1920s. Many theories (honest representation) and principles (grid systems) are still applicable to today’s design. With extensive documentation and visual presentation, I had to read it twice in a row to soak in all the information.

I started a category on typography to collect links and posts on the subject that I am passionate about. I also have two Pinterest boards on type: Typography and Jazz Typography. I’ll definitely spend more time on this category in the future.

Hôm thứ Bảy vừa qua đang ngồi ăn cơm trưa với bác Trâm và Kỳ thì cu Đán chạy đến hét to, “Muốn cặt. Muốn cặt.” Thì ra là nó muốn cắt jello ra để cho nó ăn. Thằng con trai này nói tiếng Việt mà bỏ dấu không đúng chổ thật nguy hiểm quá.

Nghe nó nói làm tôi nhớ đến một ông thầy người Mỹ dạy về môn typography. Trong một project thiết kế lại thực đơn của một nhà hàng thì tôi chọn menu của tiệm La Cay Chợ Lớn. Khi đưa cho ổng đọc thì chữ “La Cay” nghe cũng đúng nhưng ổng lại sửa “Chợ Lớn” thành “Cho Lồn.” Tôi nhịn cười không nổi nên ổng hỏi ổng nói gì mà tôi lại cười. Tôi trả lời, “You don’t want to know what you just said.” Ổng bảo rằng, “Sure why not? Just tell me.” Tôi đáp rằng, “You said ‘give me pussy.'” Cả lớp lăn ra cười làm ông ta đỏ cả mặt.

Greg Tate:

Once during an interview with Wynton Marsalis he asked me what quantifiable musical relationship I could conceivably hear between jazz and hiphop. My first answer, besides the obvious rhythmic one, was the timbre and tonality of the voices, the male voices in particular. Even Wynton didn’t find anything to argue with in that. Developing that idea even further I’d say the great MCs of hiphop and the great players in jazz share the characteristic of having unmistakable tones, tones one can identify in sometimes one or two notes, and certainly within 8 bars. The sonic, rhythmic, lyrical organization of ideas of Trane, Wayne and Joe Henderson are immediately distinguishable to the serious listener from those of Ornette, Dolphy, and David Murray—as those of Biggie, Rakim and Chuck D are distinguishable fron the flows of Q Tip, Ghostface Killa, and Trick Daddy.

Alex W. White’s Thinking in Type is a concise, informative book on the practice of typography. Unfortunately, the design of the book itself is quite distracting with crammed examples. What’s the deal with square-triangle bullets throughout the book? White ought to focus on the content of the book and let someone else handle the design.

A brief, smart introduction to graphic design from the one and only Chip Kidd. The book is beautiful, filled with great examples and set in large Century Schoolbook. Go is a perfect gift to kids from 10 and above. Even if they are not interested in becoming a graphic designer, “it doesn’t hurt to know what its components are and how they work.”

iLoveNgocLan.com received over 100 original copies of Ta Say, a collaboration with Duy Quang before Ngọc Lan stopped recording due to her illness. If you want to purchase the album and to support Ngọc Lan’s Charity Fund, email us at [email protected]. More info in Vietnamese here.