In his exceptional biography of Louis Armstrong, Terry Teachout pointed out that jazz was in everything that Pops recorded. Even his poppiest hits including “Hello, Dolly!” and “What a Wonderful World,” Pops incorporated jazz elements into them. Pops is an engaging read as Teachout unfolds of the controversy of Armstrong’s “old-fashioned way of mixing high art with low comedy” and the dark side behind his happy face.
