Beijing 2008
An amusing yet controversial view on how Beijing 2008 Olympics logo was created.
An amusing yet controversial view on how Beijing 2008 Olympics logo was created.
The first Layer Tennis has started. Enjoy your weekend!
With the growing of social networks, such as Facebook, Twitter, and blogs, how do we benefit from them in our communication? College Relations invited Brian Oberkirch to speak about these products as well as his recommendation for how Vassar College could take advantage of these services. One of Oberkirch’s strengths was his ability to explain social media in plain English so that even the least techie people could understand. He is both knowledgeable and approachable on the topics, particularly OpenID. Check out his slideshow on “Designing for Hackability” to see why “Hack. It’s good for you!”
No. Anorexia (a provocative ad)
6-7 hours, 2 sessions and lots of gasoline to come up with these striking letters.
The problem of Vietnamese music is obvious. New singers pop up every day while songwriters fades away. Dieu Huong who made a few hits, including the notorious “Vi Do La Em,” is a talented lyricist, but a limited composer. Her new album, Hu Ao, sounds dull partly because of the cheap arrangements, but mostly because of her restricted range.
Musically, “Cho Mot Lan Quen” has a melody that is a reminiscent of a dozen of songs Quang Dung had covered. “Coi Doi Vui” is one of those cheersy (cheerfully cheesy) tunes that always assigned to the forever-young Don Ho. “Cho Em Hoi” is a slow ballad that progresses steady all the way until the end where Diem Lien gives a hair-raising belt out. The lazy-rumba “Tinh Mai Theo Ta” allows Y Lan yet another opportunity to do her namby-pamby delivery.
Trong Bac who is unknown to me handled the title track. He has a charming voice, but similar to Anh Tuan with lesser power. Although Nguyen Khang gives a great performance of “Mot Nua Tam Hon,” it sounds like some of her more popular tunes, especially the chorus. Not sure why Dieu Huong covers “Vi Do La Em” herself since the song is better presented in a male viewpoint.
One of the major weaknesses of Hu Ao is the crowded vocalists. The result is more like a piecemeal slapped together than a coherent production. Maybe her intention was to have a mix of voices to mask the similitude between the tracks, but still didn’t work.
From Christian J. Ward who “has developed a fetish for drawing mysterious femme fatales, psychedelic mind clouds and men in capes trying to look dangerous.”
One of my favorite pieces is “Clockwork A.”
An impressive archive of the New Yorker at Cover Browser.
Jenny McCarthy shares:
[The doctor] looked at me and then pointed to what Evan had made in the corner. Evan had taken those ear cones they use to look inside your ears and made the most perfect row lined up across the room.
An Ellen Von Unwerth’s photographic book. Peep the slideshow.