Nas’s new video goes at Fox. Damn, I wish he goes hardler at O’Reilly. Drop him like a bitch.

Let’s have a cookout.

The image of a man poured gasoline and lid the fire on the million ants marching on the pavement this morning still struck me.

Confession of a gangbanger:

Whoa. She just looked at me. Does that mean she wants me to come up there so she can suck me off? Maybe that’s what she’s indicating. But what if she didn’t mean that? What if I go up there and shove my junk in her face and she doesn’t want anything to do with it? I’d look like a real horse’s ass then. I’d better just wait here.

A kick-ass Russian music video with hot chicks, hero and zombie.

A typographic toy written in Java:

Wordle is a toy for generating “word clouds” from text that you provide. The clouds give greater prominence to words that appear more frequently in the source text.

Check out my wordle based on Dieu Huong’s “Vi Do La Em.”

An eight-grader Dan Vi sings vong co (Vietnamese opera).

A downright observation from Jeff Kelly on the movie 21, which based on a true story, but complete bullshit:

If there’s anything we can learn from 21, it’s that Hollywood won’t give an Asian man a starring role unless it calls for someone who can do karate while getting berated by Chris Tucker.

In fact, 21 gives us perhaps the greatest whitewash in recent Hollywood history–a broad, sweeping stroke of Caucasian across the majority of the cast.

The real MIT Blackjack Team was almost totally Asian, but you’d never know that from the film. Even Kevin Spacey’s character was based in part on an Asian professor, who has been known to dress like a woman in order to sneak into casinos. Apparently, a transvestite Asian math genius isn’t as interesting as Spacey in the “just make sure the check clears” stage of his career.

But hey, at least they did cast a pair of Asians as members of the Blackjack Team. Naturally, in sticking with current Hollywood trends, they were made into goofy loser sidekick types, while the white kids handled all of the heavy intellectual lifting. Not since Mickey Rooney’s performance in Breakfast at Tiffany’s has Hollywood treated Asians with such respect and dignity.

Love the orange against the brown texture of New Concept web site. The navigation is very slick too.

Tinna Tinh impressed me with her debut performance of “Tra Lai Cho Toi” on Van Son in Taiwan not because she looked kind of hot and she could rock, but she sang her own tune—something extremely rare among the young Vietnamese pop stars. Her new album strangely titled Mu Tac (Wasabi) features nothing but her original works. Although Tinna is half Vietnamese and half Czech, she writes and sings Vietnamese with confidence.

As a singer, Tinna has a strong, slightly gruff voice. In the opening track, “Hoa Lai Mau Xanh,” she knows how to maneuver her way around the upbeat drums and guitar riff. The best part is that she could make her Vietnamese lyrics flow so damn natural in a rock-up tempo. In the self-reflecting “Xin Loi Cuoc Doi,” she starts off by trading sentimental thoughts with a strumming guitar, but progresses into a hypnotic rock chorus.

The album actually gets a bit weary with the pop-rock flavors, but the closeout “Co May” stands out. The track begins with the street noise, follows by a simply strumming guitar, and proceeds with heavy rain and children’s laughter. A minute and thirty seconds into the song, she pours her heart out on a story of an abandon kid in the middle of the big world, in which she observed, “Mot lan di dao pho thay nha cao cua rong xe hoi, net mat sang trong / Lai thay mot dua be nam tren chieu tran truon co ro / Giua the gian menh mong trong be, nho be, cang be.” It’s quite a heartfelt tune.

Tinna has definitely stepped into the right direction. Keep up the passion and rock on.