Stacey Kent: A Time for Love
If I were to learn how to sing in English, I would imitate Stacey Kent. Her enunciation is fucking irresistible. With the intimate setting in her latest release, A Time for Love, I have no choice but to listen to each of her words.
The album kicks off with “Lucky to be Me” (composed by Leonard Bernstein with lyrics by Betty Comden and Adolph Green)—an upclose duo with pianist Art Hirahara. Just listen to the way she drops the “k” in: “I am simply thunderstruck / At this change in my luck.” Her attention to words alone makes her singing unmistakeable.
With “The Shadow of Your Smile,” Kent and Hirahara stripped the bossa nova rhythm down to just a slow-burning rendition. She leaves plenty of room for her pianist to accommodate her voice. The mutual respect between their musicianship comes through in their collaboration.
“As” is a fascinating reinterpretation of Stevie Wonder’s classic. Hirahara switches to an electric keyboard for some funk groove and Tom Tomlinson joins in with his soprano saxophone. In the refrain, Kent simply sings the word “always” and lets Tomlinson’s soprano play the backup: “Until the ocean covers every mountain high / Until the dolphin flies and parrots live at sea / Until we dream of life and life becomes a dream.”
I can’t comment on her French in “La Javanaise,” her Spanish in “Carihoso,” and her Italian in “E la Chiamono Estate.” I don’t know these languages, but I like the sound of her singing.