Erasure

Eating beside the wives of all his friends, I quietly order three oysters. Disgusting, the person beside me laughs when the half shells come over ice on a little glass plate. That smells like a dirty woman. Leaning together, they wonder how nauseating it must be for their husbands to go down on them. I am sitting across from a man who, in bed, turns to ask, Are you ready? Sometimes I am. Other times he reminds me of all the women who came so quickly with him. There is no productivity in imagining the people of my lover’s past. Or to saying, here, that I am queer in a way that might puncture the conversation.

Taneum Bambrick

The Life of Sun Ra

Lay my figures bare
              and give them no rest,

I can relate to his premise, that he was born on Jupiter

and must be getting back soon,

that the earth is a failed planet,

that rehearsal itself
              becomes a ceremony.

Cedar Sigo

Radio

I think I forgot to turn
off the radio when
I left my mother’s
womb

In Hasidic Judaism
it is said that before we
are born an angel
enters the womb,
strikes us on the
mouth
and we forget all
that we knew of
previous lives—
all that we know
of heaven

I think that I forgot
to forget.
I was born into two
places at once—

In one, it was chilly
lonely physical &
uncomfortable

in the other, I stayed
in the dimension of
Spirit. What I knew,
I knew.
I did not forget
Voices
The world of spirit
held me in its arms.

Diane di Prima

Bleeding Hearts

They do not fit their given name. They glow
all day in the sun, without
ever opening up; they are able to retain
their shape and their seal under even the weightiest rain.

They may assert, or believe, that any problem
they notice among themselves must be a low
priority next to the crocuses, always picked first,
or compared to the unwell maple, whose phantom limb,
as recently as last summer, could provide
an afternoon of unreliable shade.
Their practice at holding their own
has made them feel less cultivated or planted
than like something they themselves have made.

Nevertheless it is tough for them to remain
so sanguine; they have arranged
to keep themselves together in almost the same
way they keep other people’s secrets,
even when shaky, at dawn, or nearly asleep.

They dangle and dodge in light wind
as if they were windchimes. They are, also, perennial,
able to outlast frost: they can insist
that the most important fact about them—more
than photosynthesis
or chromosomes, varietals or
Latin names—is just
that they continue to exist.

As well as the overfamiliar valentine,
the thumbnail spade for archaeological digs,
they duplicate the alphabet: a V
for victory, as well as a sort of X
wherever two or three will overlap.
Their bone-white, surprisingly durable
extensions resemble parentheses,
or quills, or claws. Once I heard
them claim that they were eggs,
dragon eggs; one day they would, supposedly, split,
detaching the bloom from the ornamental top,
so that the V-shaped part would drop
to Earth, and low-to-the-ground observers could see
the dragonets discover their feet,
their solarized scales, their yet-to-be-sharpened pairs
of retractable talons. The adults who share, or repeat,
these stories must be, not gardeners, but magicians,
the kind who understand how to escape
from anything, whom you hope
can teach you, too, how to do that.

Some renegade botanists
believe the cultivars can be regrown
from even the slightest cutting: one tendril, one stem.
Other experts think this trick can work
for closely related species, but not for them.

V for vigilance. V for vindication.
After a hailstorm, either V in survived,
in visible and invisible. They are the kind
of students who ought to teach, but will not give lectures,
having determined what parts of their own life cycle
are worth trying to explain
to the outer world, what to reveal from within their clusters
of shoots, their extracellular architecture,
and what belongs, for now, on the inside.

Stephanie Burt

Beauty School

Dad said if I didn’t graduate from high school
he’d buy me my own beauty shop. And that’s pretty
much how it went. I worked on heads.
      My students gave me wise advice.
One said the best critique came from a friend
who just wrote Wonderful! Keep going! on every poem.
Another said his favorite mentor
      simply put a giant X on any page he didn’t like.
Some had studied with lyric pooh-bahs
who taught them to be coffee wallahs.

Do birds theorize flying? I believe the best poetry
      instruction leans toward the oblique.

“This seems to be a ransacked candle.
This tastes like lowa. This reads
like the shortest building in the world
      trying to be tall. This syntax feels kissed.
This is like a bandage
that takes the skin off with it.
These lines look laser-cut;
      these need to be debrided, flayed.
Forget Esperanto. This is written
in Blackwatch Plaid. Did you use a protractor
or a pen to compose it? That school
      of poetics is called ellipsograph tech.

Lyric poets give their words to the wind.
It’s how the wind stays alive. To riff
on Miles Davis, you don’t have to write
      your poem every day.
You just have to touch your poem
every day. Even if it sounds like mucus
made for the glory of God
      or twinkles like a pissed-off
harpsichord. Even if it groans like a medieval
cathedral, eroded at the groins. You’ve heard

how flaws authenticate a gem? Usher in a stir
      and weird the real. Forget the celestial

and remember the celeste–
an organ stop that’s tuned to dissonance
to torque the note. Tone
      is the soul of poetry.
If you need a title ‘Lonely Consort
Of Wandering Phenomenon’ works
for almost anything. When revising think
      how a robin throwing himself against the glass
won’t change it into air.”
Poetry is never finished.
Only poets are. Some must be
      wrapped in burlap to survive.

Some must flash their stitches ==
though the deepest scars
are hidden, the damaged infra-
      trauma they intend to tell.
One bent her lines backwards
like the ankles of a sandhill crane.
One unzipped his surface to reveal
      his furtive fretwork. They all held their breaths
until their tongues turned blue.
Wonderful! Keep going!

Alice Fulton

Chorus

Human beings suffer.
They torture one another.
They get hurt and get hard.
No poem or play or song
Can fully right a wrong
Inflicted and endured.

History says, Don’t hope
On this side of the grave,

But then, once in a lifetime
The longed-for tidal wave
Of justice can rise up
And hope and history rhyme.

So hope for a great sea-change
On the far side of revenge.
Believe that the farther shore
Is reachable from here.
Believe in miracles
And cures and healing wells.

Call miracle self-healing,
The utter self-revealing
Double-take of feeling.
If there’s fire on the mountain
And lightening and storm
And a god speaks from the sky

That means someone is hearing
The outcry and the birth-cry
Of new life at its term.
It means once in a lifetime
That justice can rise up
And hope and history rhyme.

Seamus Heaney (from The Cure of Troy)

Driving to Cádiz

A kind of bird like a swan but more triangular
dives and lifts behind the knives of a tractor—
five paper airplanes poking at turned dirt.

Sometimes, he wears the condom
for hours after he falls asleep. I feel carried.
His body becomes the way I think.

Not being hungry, but wanting
to halve something.

I’ve never finished with a man
without needing to repeat, in my head,
that I want him inside me.

We pass by piles of salt, orange cattle.
He asks me to rate the day.
We both know there’s nothing emptier
than recognition in a new landscape.

Taneum Bambrick

Mother’s Day

Last night
i dreamed
my son joined a gang
A gang
one million strong

This gang
these brothers
spoke Swahili
Spanish
& street talk

& nobody was afraid

This gang walked around
in broad daylight
& after midnight
dreadlocked
cornrowed
hair kinky crazy

& nobody pointed their pistols

This gang
they wore kente durags
around their foreheads
cowries around their necks
didn’t take no shit

& nobody was afraid

This gang
one million strong
These sons
were intelligent
educable
like they always been

& nobody said they were not able

This gang
they were the future
doctors
lawyers
teachers
poets all about the business
of being correct

& nobody was afraid

This gang
they walked the streets
in great numbers

& nobody cuddled their purses

This gang
they stood up
& spoke up
when justice showed
its true colors

& the swat team didn’t come

This gang
they went to schools
where no teachers made them feel
worth less or like criminals

& nobody cried rape

This gang
they praised god
their way
& remembered ancestors
in old as time ceremonies

& nobody was afraid

They
beat drums
They beat drums
& beat drums

& nobody was afraid

This gang
sang their
warrior songs
baritone voices
stirring all those
with ears bent

& nobody was afraid

Last night
i dreamed
my son joined a gang
a gang
one million strong

This morning
i woke up
said a prayer
& prepared him
for another day
in fayette county public schools

& was very much afraid

Crystal Wilkinson

The Water Witch on Invasion

It’s serious business to come on a man’s land
but when they get a hair up the wrong place
i always have my rifle ready. Sometimes
i turn the light on, so i can see who their daddies are.
Young white boys are like that sometimes, smelling
their selves, thinking they can do it cause i’m black,
cause i’m old, or just cause. Cause i’m a servant of the good Lord
is the reason i ain’t never shot one yet. I just say Git on, now.
Git on back where you come from
out into the dark
toward the place where i hear the leaves rustling.
Next most all i hear is the gravel crunch as they head
on down the road. Sometimes they come closer still,
that’s when i poke that ole .22 up toward the trees
& let it rip three times. It’s serious business
to step foot on a man’s land but sometimes
when i hear their feet traveling away from me
like spooked cattle in the dark, i can’t help but laugh.

Crystal Wilkinson

Without Me

Without me, who will take you home from school
Who will write letters for you to bring to class
Who will dry your tears when you cry
Who will take you out on rainy evenings

And when you smile during the nights,
Who will admire your white teeth
Your bright eyes are like glistening planets
When the air’s foggy, who will breathe to clear the mist
Who will hold your hands to make your cheeks turn pink
Who will gently breathe clouds into your hair…

Without me, if one day you should cry
The autumn light in your eyes will be diminished
Your hair grows longer with poet melancholy…

Without me, who will fondle you
Who will see the smile in your eyes
Who will listen to you talking about the autumn wind
Who will hold your hands and lead you to the joys of Spring
And feel your veins pulsing with life

Without me, if one day you should die
God will ask me why your hair lacks luster
Why your arms so skinny, why your eyes so dull
With head bowed in shame, I’ll be heading toward Hell.

Translated by Vương Thanh

Cần thiết

Không có anh lấy ai đưa em đi học về
Lấy ai viết thư cho em mang vào lớp học
Ai lau mắt cho em ngồi khóc
Ai đưa em đi chơi trong chiều mưa

Những lúc em cười trong đêm khuya
Lấy ai nhìn những đường răng em trắng
Đôi mắt sáng là hành tinh lóng lánh
Lúc sương mờ ai thở để sương tan
Ai cầm tay cho đỏ má hồng em
Ai thở nhẹ cho mây vào trong tóc…

Không có anh nhỡ một mai em khóc
Ánh thu buồn trong mắt sẽ hao đi
Tóc sẽ dài thêm mớ tóc buồn thơ

Không có anh thì ai ve vuốt
Không có anh lấy ai cười trong mắt
Ai ngồi nghe em nói chuyện thu phong
Ai cầm tay mà dắt mùa xuân
Nghe đường máu run từng cành lộc biếc

Không có anh nhỡ ngày mai em chết
Thượng đế hỏi anh sao tóc em buồn
Sao tay gầy, sao đôi mắt héo hon
Anh sẽ phải cúi đầu đi về địa ngục…

Nguyên Sa

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