Iggy Pop turns to jazz standards because he ”just got sick of listening to idiot thugs with guitars.” Although he takes inspiration from Louis Armstrong and Jelly Roll Morton, Préliminaires feels more like European pop than jazz. He flips “Les Feuilles Mortes,” one of the most covered jazz ballads, into a nihilistic French romance. On “King of the Dogs,” the only track that comes close to jazz, his low, raspy vocals drown out by the New Orlean jazz band. Dare I say that the Godfather of Punk ain’t got no chops for jazz? Prove me wrong, Mr. Iggy.