Nguyễn Du’s Truyện Kiều (The Tale of Kiều) is recognized as the masterpiece of national literature. Structured in lục-bát (six-eight) couplets, Truyện Kiều, which consists of 3,254 lines, is not only a literary bible but also a national epic that has inspired political debate, social critique, and revolutionary spirit.

Last Friday, I typeset Truyện Kiều in Portada to showcase Vietnamese Typography. With Portada, ​​Veronika Burian and José Scaglione set out to create a serif family that’s as clear and readable as a sans family in digital environments. Portada is designed specifically for user interfaces as well as long reading online. Portada has extended its support for Vietnamese. In working with Vik and José on Vietnamese diacritics for Portada, I caught a glimpse of how the two talented designers collaborated. They lived up to their foundry’s name: TypeTogether. For the title, I chose Water Brush, designed by Robert Leuschke, which has a hand-drawing vibe, to give the cover a paper quality.

When I published and launched the online version of Vietnamese Typography, I created a few samples just to give type designers how Vietnamese diacritics were being applied to different applications and publications. The samples, however, have turned into small design projects for me to experiment with Vietnamese typography. In addition, they have become my collection of Vietnamese art, culture, and literature. I hope you enjoy glancing at them or reading them if you can read Vietnamese. Take a look at Truyện Kiều.

The restructuring is inevitable. I will be taken out of the library and reporting to the Assistant Dean of Strategic Communications and Marketing. I have been part of the library staff for ten years and have always enjoyed working with my colleagues, but it makes more sense that I will be part of the communications and marketing department.

My new supervisor is also new to the school. His position was just created recently and he needed a team to support him. Both myself and my web content specialist will be on his team. He will also be hiring a Director of Communications to work on external communications.

I have been working with him for a few months and he is great as a coworker. I hope he will be an easygoing supervisor as well. I stayed around for a decade because my supervisors were flexible, understanding, and hands-off. I hope those things won’t change. I am looking forward to the new change.

In attempt to upgrade one of my Droplets from Ubuntu 20.04 to 22.04, I kept run into the usbmuxd errors. I reached out to DigitalOcean and they suggested migrating to a fresh Ubuntu 22.04 server rather than upgrading in-place (sudo do-release-upgrade). The process seemed quite time-consuming. As a result, I tried a different method.

To begin, I updated to the latest versions of all packages for the current release of my Droplet:

sudo apt update

sudo apt upgrade

sudo apt dist-upgrade

In DigitalOcean’s web interface, I powered off my current Droplet, took a snapshot, then created a new Droplet from the snapshot. Once the new Droplet was created, I ran sudo do-release-upgrade. To my relief, the upgrade succeeded without any error.

I have a handful of sites on this Droplet, but they all PHP files and no database. To check and see if my websites worked, I edited the Hosts file in Terminal:

sudo vi /private/etc/hosts

11.111.111.111 donnytruong.com

To edit the Hosts file, type i for insert, then :wq to write and quit. After using sFTP to make sure that the sites were indeed working correctly, I went into Cloudflare’s DNS interface to update my A records to point to the new Droplet.

I am pretty darn proud of myself for figuring this one out.

From compelling writing to gripping story lines, Jean Hanff Korelitz’s The Plot keeps you on the edge of your seat from beginning to end. It’s a masterpiece of fiction. I don’t want to give the plot away; therefore, just read it for yourself if you’re into novels.

I was up late last night upgrading Ubuntu 20.04 to 22.04. I have two Droplets in DigitalOcean. One just for this WordPress blog and one for my other sites. The Droplet for my blog upgraded smoothly. Unfortunately the other one didn’t upgrade successfully. I restored and tried three times. I even tried to diagnose the issue, but I couldn’t get through usbmuxd. Here’s the error:

Errors were encountered while processing:
 usbmuxd
Exception during pm.DoInstall():  E:Sub-process /usr/bin/dpkg returned an error code (1)

*** Send problem report to the developers?

After the problem report has been sent, please fill out the form in the automatically opened web browser.

What would you like to do? Your options are:
  S: Send report (434.0 KB)
  V: View report
  K: Keep report file for sending later or copying to somewhere else
  I: Cancel and ignore future crashes of this program version
  C: Cancel
Please choose (S/V/K/I/C): c

Could not install the upgrades

The upgrade has aborted. Your system could be in an unusable state. A recovery will run now (dpkg --configure -a).

Setting up usbmuxd (1.1.1-2build2) ...
usbmuxd.service is a disabled or a static unit, not starting it.

Upgrade complete

The upgrade has completed but there were errors during the upgrade process. 

Even though the upgraded seemed to fail, my sites loaded fine and everything seemed to work, but I revert back to Ubuntu 20.04 just to be safe. If anyone has any experience with this sort of thing, please help.

You and I have now entered a new phase. I thank you for continuing our life-long journey together. The road isn’t rougher. I just created more obstacles. I apologize that I had made you upset. Anything I say would only add fuel to the fire. We’re at the point where deep conversations only hurt each other. I appreciate your honesty. Even if we’re no longer meant to be, we still have to fulfill our responsibility.

I wish I could erase all of my mistakes. I wish we could go back to the beginning. I wish I hadn’t ruined so many relationships. While it is too late to turn things around, we can move forward. I no longer deserve you. I have come to accept your coldness. I realize your emotion is no longer present. You do things because you have to, not because you want to. You’re still there for me even though your heart is no longer feeling for me.

Take all the time and space you need to heal. Even if it takes years, I am still here until you no longer want me around. When you asked why I am still here, the reason is obvious. Because I still love you. I understand love no longer has any meaning to you, but I wouldn’t be here if I were no longer in love with you. I love our kids and they will always be part of my life no matter what happens. Nothing can change that, not even you. I would never leave them because neither they nor I have that choice. I will always be their father and they will always be my children. I am still here with you because I chose to. I made my choice based on my love for you, but my choice isn’t within my control.

I used to think that we did it for the kids. Staying in a relationship because of our children is no longer an excuse. We have to make things work for them no matter what. It would probably be more challenging if we were apart, but they will be fine. Our kids are resilient and they will adapt to any environment. My decision is no longer because of the kids. I am still here because of you.

Woke up this morning with
a terrific urge to lie in bed all day
and read. Fought against it for a minute.

Then looked out the window at the rain.
And gave over. Put myself entirely
in the keep of this rainy morning.

Would I live my life over again?
Make the same unforgiveable mistakes?
Yes, given half a chance. Yes.

Raymond Carver

I don’t know how to love anyone but myself. I feel like it’s me against the world. I push everyone away. I take love for granted. Instead of doing everything I can to keep what I have, I am worrying about what I would lose. It’s my defensive move. How would I move on on my own? I no longer have my mother to return to. I no longer have my father to run to. How would I fulfill my own duty as a father? Would I just leave them like he had left me? Would I go on and start the damn cycle again? Would I ever find happiness again?

Why do I only prepare for the worse instead of trying to make things better? Why do I try to run away instead of dealing with the issues? I have too much to lose. Unlike the past, I will not get a clean cut this time. Everything would be messy. Is saving myself worth all the sacrifices? Is it worthwhile putting myself before my kids? Spending a day with them, even in the worst state of mind, made me realize what a lucky father I am and yet I am doing everything to lose that privilege.

The other night Đán asked me, “What’s wrong? You seem depressed.” I stayed silent. He went on, “You can tell me, daddy.” I was so touched that my son could see what I am going through and that he would lend me an ear. His love hit me hard. I can’t risk losing that.

I am not as tough as I wanted to be. My emotions are not as strong as I thought. I do care even when I say I don’t. I need love too and I can’t lose my loved ones. I will do everything to make things right. I apologize for my self-centered selfishness. I don’t deserve another chance and I don’t expect forgiveness. I’m so sorry, I’m so obnoxious. My only accomplice is my conscience.

Hendrik Weber, Italic—What Gives Typography Its Emphasis, (p.19):

In the meantime, typography has performed a balancing act by combining modern and traditional forms. Italics fulfil a typographic mission. They have to stand out clearly from the typeface used for the main text, without invalidating it. For this reason, italic forms today are not only dependent on the zeitgeist but in particular on their upright counterpart’s design.

He went on:

Upright and italic typefaces mutually depend on each other. Without upright typefaces, there would be no italics—and without italics, the options a designer would have when laying out a text would be rather limited. A modern typeface should have at least one italic, as a minimum. The number of italics was also connected with the increasing formal variety of upright text typefaces. This adaptive behaviour to any typeface construction testifies to italics’ quality. At the same time, it is also the reason italics are difficult to classify into a particular category or group.

A brief book exams the role of cursive in typography, provides the history of the cursive style, and explores the construction of the cursive form. The book includes lots of historical examples as well as visual illustrations of italicized letterforms. The English edition is translated by Dan Reynolds. The writing is a bit dense, but it is an informing, intriguing read for type lovers.