Heller and Anderson are prolific writers. I can’t keep up with their sheer volume of books on graphic design. The Logo Design Idea Book, which released in 2020, featured 50 logos with a one-page explanation for each. It is short, sweet, and insightful. It’s a perfect switch for me from poetry to design.
Read through the collection and understood just a bit of it. My brain is just not picking up poetry and I simply don’t know what write even a few brief sentences. After five months of reading poetry books, I am taking a break and return to novel and fiction. It was a fun journey. Of course I will continue to read poetry, but not exclusively.
I don’t fully understand Dekine’s poems—even a simple one like “Paris, 2019”:
I lost control
following cigarette processionals, in and out,
of a freedom-spatting
mausoleum head. I loveJames Baldwin.
There are entire worlds
in his words. My heart became
a jade toad, croaking fire. I leapt—
followed e smoke.
I can’t figure out “e.” In any rate, I read through the collection once.
I must confess. I have many thoughts on my mind; therefore, I haven’t been able to focus. I read through Gabriel Ojeda-Sagué Madness, but I could not pay attention to the poems. Since the collection is selected from 1976–2035, the poems are too ahead of my knowledge.
A fierce, fearlessness collection about body, shame, and violence. The metaphor of “Pomegranate” to a woman’s body is fascinating. I enjoyed and comprehended most of the poems.
This collection took me a bit to feel the vibes. Tibble’s poems are honest, heartfelt, and humorous. She is a young poet with so much potential. I’ll definitely go back for a second read.
Chen Chen writes about being a queer Chinese American. He opens up about his identity and family. His interactions with his mother on his sexual preference are hilarious. His honesty and humor come to across in this collection.
We Are Mermaids from Stephanie Burt, a Professor of English at Harvard, is compelling, thrilling, and daring. She writes openly about trans sex and literature. What I loved most from this collection are poems on punctuation marks. I’ll definitely reread this book again in the near future.
One of my favorite pieces is “Beauty School.” I love the way Alice Fulton compares lyrical poetry to Miles Davis: “you don’t have to write your poem every day. You just have to touch your poem every day.” This collection is filled with dark beauty with music poetry for your reading pleasure.
In O, Zeina Hashem Beck addresses white critic in both English and Arabic. She writes, “If I told you these words are not in English, would you believe me?” I am not a white critic or a poetry critic for that matter. I am just a novice poetry reader and I don’t understand most of her poems. That’s OK. I read them with curiosity whether in English or Arabic.