David Jonathan Ross just released his hyper-stylized typeface called Fit, which designed for maximum impact. He shares:

I drew Fit with an expansive range of widths…. Beginning with the impossibly narrow Skyline style, each character grows by 3600% (on average) to reach the gargantuan Ultra Extended. In between these ridiculous extremes, you will find a family rich in panache and expressive potential.

One of the exciting things about Fit is the support for Vietnamese right from the start. I was fortunate to have the opportunity to contribute my input into the Vietnamese diacritics. Because Fit is such a unique typeface, incorporating legible Vietnamese accents while maintaining its proportion was one of the challenges.

Although Fit is not meant to be read, David has done an excellent job of making the Vietnamese accents as clear as possible. One of my favorite accents he drew was the tilde. The first time he showed me it was barely unrecognizable as a tilde. I suggested a solution, but it was not so great. Then he came up with design that is not only legible but also fitting.

It was such a great pleasure collaborating with David on this typeface. He did all the designs. I just provided my advice. When David asked me what would be the use case for Fit and I immediately thought of old Vietnamese vinyl records. As a result, I redesigned old vinyl records using his new typeface. If you design Vietnamese album covers or Vietnamese entertainment marketing materials, make sure to include Fit in your font collection.

Thanks to David for letting me to be part of this stellar typeface. I am looking forward to working with him in the future. I would love to see Turnip and Fern support Vietnamese.

Touched up I Love Ngọc Lan a bit for 2017. The homepage featured a grid of photos. The type is now set in Alda, by Berton Hasebe. The activity on the site has been quiet for a while and I don’t expect to have much interactions in the next few years. I still hope to keep it as a place to remember one of the most beloved Vietnamese singers. The site has been online for 14 years and I’ll keep it running as long as I can.

The latest release of ON Designs is inspired by legendary designer Massimo Vignelli. After reading his book, A to Z, I decided to simplify my porfolio down to its core. The new design is as Swiss as it gets: black, white, and red. It is now only set in one sans serif typeface, which is Acumin Pro, designed by Robert Slimbach. I stripped out various background colors and made the wordmark a bit more prominent. Check out the new look.

As I was looking for inspiration for the 2017 version of this blog, I came across Keith Houston’s The Book. Although I only started to read the first chapter, I love the design of the book so much that I decided to redesign this blog to emulate the reading experience on paper.

The main typeface is Skolar, designed by David Březina and Vaibhav Singh. Because Skolar has many OpenType features and support for Vietnamese characters, it is a perfect balance between flexibility and performance. For the logo, I wanted to have a bit of flare and Memoriam Pro Headline, by Canada Type, does the job.

The layout is a simple single column to focus on the text. I am pleased with the new design even though it is not a radical change.

When the 10K Apart contest first announced, I was excited, but I was not planning on participate. I didn’t have time and I had no idea what I would do.

When I was on vacation, however, I redesigned this blog. I ended up creating The 10K WordPress Theme. After I submitted that project, I felt it was not inspiring at all. I asked to withdraw, but it was too late.

Around the same time, another concept came to me and I felt motivated. Jay Z On Designs is the result of it. Because 10K Apart allows participants to enter up to three entries, I just submitted another one. You can read more about the project on my portfolio or just go straight to it. Wish me luck.

To participate in the 10K Apart contest, I redesigned and recoded my personal blog, which runs on WordPress. The first challenge is that I must rebuild my WordPress theme to deliver a compelling experience in 10 kilobytes. In addition, I write in both English and Vietnamese; therefore, my theme must support Vietnamese characters.

Like the web, WordPress theming has become bloated with front-end frameworks and JavaScript dependencies. When I first learned WordPress back in version one, its Classic theme was simple and easy to grasp because it only contained ten files. In contrast, a modern theme like Twenty Sixteen has fifty-one files. WordPress theming has become too complex over the years. To get back to the basics, I scrapped my previous themes and started a brand new one from scratch with just two files: index.php and style.css. I wanted to control every markup that goes into the theme; therefore, I applied PHP functions to only dynamic contents and used as much static components as I can to improve the processing time. The result was a lightweight template that accommodated my design.

The other half of the battle was to support the Vietnamese language. If I used a custom typeface that has Vietnamese subsets, the filesize for the fonts alone will be over 100 kilobytes. I had no choice but to go with the system fonts. For body text, I count on Times New Roman as my first choice. If Times New Roman is not available, I fall back to Times, and system serif if all failed. Headlines are set in Tahoma and fall back to Verdana and system sans-serif. The wordmark is set in Impact and fall back to Haettenschweiler, Arial Narrow Bold, and system sans-serif.

In addition to typography, responsive design and accessible played an important role; therefore, I took advantage of CSS Flexible Box for layout and ARIA Landmarks for screen readers. Of course, the goal for the 10K Apart contest is performance. For my submission, I put a static demo, which is under 10 kilobytes, on Github. To experience the live version, visit Visualgui.

I drew the inspiration for this little redesign from rereading Marty Neumeier’s excellent The Brand Gap while on vacation. The entire book is set in large Helvetica with generous leading. It is surprisingly easy to read. At first, I was going for Acumin Pro, but instead I went with Hypatia Sans, designed by Thomas Phinney and Paul D. Hunt. I was not too fond of this eccentric typeface, geometric sans with humanist undertones, at first, but it grows on me. It has quite a bit of personality, which is not a typical choice for running text. This is a personal blog so why not?

In addition to the typeface, I brought back the sidebar to bring back the good old blog design. I have a hate and love relationship with the sidebar, but I am sticking with it for now. I also went back to pure white background with black text to simplify the design. I hope you enjoy this little redesign.

I am still enjoying myself at the the beautiful Siesta Key island. I’ll update this blog next week. Time to hit the beach.

I am excited to introduce Typographically Trịnh. This is an independent project that aims to highlight Vietnamese typography with my favorite quotes from Trịnh Công Sơn, whose philosophical lyrics I always find intriguing and inspiring.

My goal is simple. Each day I will pick out a quote to design with my own understanding and interpretation of his words. Take a look at the first four pieces I have created. Although Trịnh Công Sơn had written over 600 songs and I only found 244 songs, I will only select 100 quotes that speak to me the most. Why 100? I wanted to do #The100DayProject to help myself stayed creative. I also just want to build websites.

Although I have all the basic structure (HTML and CSS) set up, I won’t see myself creating the pages on a daily basis. I will take my time to fulfill the 100 designs I set out to do. The process will take longer, but I am OK with that. Even though this project has been in the back of my mind for a while, it is started to take shape only after I saw the redesign of Google Fonts. The new directory has a number of decent fonts that support Vietnamese characters. I will also use Typekit for this project.

I am so glad to see that my book on Vietnamese typography has been useful to type designers. I am hoping to see more typefaces that have support for the Vietnamese language. I hope that a project like Typographically Trịnh will motivate type designers to consider extending their fonts to support Vietnamese.

I have been touching up ON Designs a bit. The logo is now contained in a square box. The text face is now set in Arno Pro, another beautiful serif by Robert Slimbach. The large display heading is now set in Eloquent JF Pro by Jason Walcott.

I also wrote a new intro:

I’m Donny, a designer who omits needless designs.

I’ve been practicing simple designs since 1999. I honed my craft by reading William Strunk Jr. and E.B. White and listening to Miles Davis. While Strunk and White taught me the value of taking out unnecessary elements, Davis taught me the important of white space—what you leave out is as essential as what you put in. Learning from the masters of communication, I strive to create clear, honest, and meaningful connection between your product and your audience. Take a look at some of the projects I have worked on.

This site has gone through some minor changes again. I brought back the sidebar again on larger screens. I was not quite happy with the previous change. Without the sidebar, there is simply too much whitespace. The new change is inspired by the The Washington Post I picked up this morning when I dropped my kid off to daycare. I think I am satisfied with this version, but you never know. I may make more changes later on. The typography feels just right. The colors are muted enough. The sections of the layout are separated by gray lines. I hope you enjoy it before I change it again.