Professor Li:

Hi Donny,

Thank you so much for generously donating your time to speak with my students! Your work is truly wonderful and thought-provoking. I was especially moved by the COVID and climate change project you did for Mural Arts Philadelphia.

I’d like to extend an open invitation for you to visit La Salle at your convenience. Our end-of-year show takes place in late April or early May, but I’d also love to arrange a more casual lunch between us whenever it suits you. I would truly enjoy the opportunity to meet and chat in person.

Once again, thank you so much for your talk—my students and I greatly appreciated it.

Have a fantastic weekend snowboarding!

Here’s the transcript for my presentation.

Hello my DART classmates,

My name is Donny Trương. I was in your seat over 20 years ago. I was in the inaugural graduating class of the DART program in 2001. Some of my fellow graduates have become successful in real estate, marketing, instructional design, and so on, which are great. The DART program will prepare you for anything. As for me, I am still in the game after 24 years. If you are concerned about your future in this program, I can reassure you that you will have a long career ahead.

Nowadays, I am Director of Design and Web Services at George Mason University’s Antonin Scalia Law School in Fairfax, Virginia from Monday to Friday. On Saturday and Sunday, I teach snowboarding at Whitetail Resort. If you want to learn skiing or snowboarding, come to Mercersburg, Pennsylvania. We’ll ride on the lift together and talk about typography.

Speaking of typography, Professor Li has informed me that you have been learning about the history of typography. Isn’t it fascinating? Since you have learned about the history of typography, I wanted to share with you the history of web typography. I wrote the whole presentation, but I decided to scrap that talk. Instead of giving you more history lectures, I wanted to share with you practical examples of my own approach to typography.

Video Résumé

Let’s kick-off with a short video résumé I created for a graduate course on professional design practices. The video was created in 2014 to show why I loved the web and why it was time for an exciting transformation to be a web designer. I used Freight Sans, designed by Joshua Darden. Freight Sans has a strong, sturdy quality that gets the message across quickly and legibly.

Professional Web Typography

Yes, I went back to school to pursue an MA in graphic design at George Mason University School of Art. Why? Because I wanted to take advantage of the free tuition as an employee for George Mason. I did not have a clear goal in mind. I didn’t know what I wanted to do. In fact, I was even surprised when I got accepted. One of the requirements to get into the graphic design program was to submit a portfolio of graphic design samples. I didn’t have any print materials to show, but I had tons of digital materials. I went ahead and submitted my digital works.

Once I got into the program, it opened up a whole new world for me. I had the freedom to explore, experiment, and execute. For example, I proposed to write a book on web typography for an independent study. I wanted to write this book to scratch my own itch. At the time, typography was exploding on the web, but I hadn’t found a book that would teach me professional typography and showed me the CSS techniques at the same time.

The primary purpose was to get an “A” for my independent study, but I also wanted to experiment with using the web as a book format. I decided to publish it online because I could do so independently. The book could be read on any device. I had control of the design. I could continue to update it as the codes continue to change. Readers can read it for free and they could pay for it in any amount they liked.

Vietnamese Typography

For my final thesis, I wrote another book on typography, but this one was much closer to my heart: Vietnamese Typography. As a Vietnamese-American designer, I was frustrated with the lack of support for the Vietnamese modern language, which is based on the Latin alphabet, but with a set of specific diacritics to dictate the tones.

When I started to do the research, I could not find any information on it. I had to rely on my typography knowledge and my own understanding of Vietnamese to come up with the content for the book. I had to go all the way back to my childhood memory to recall what I had learned in kindergarten and first grade to see how the diacritics flow with base letters.

After the book was published online for free once again, I got inquiries from type designers around the world to advise them on Vietnamese diacritics. It feels great to see that type designers care about supporting the Vietnamese language. They just needed a comprehensive guide to show them how to design Vietnamese diacritics.

I am happy to report that I had reached my goal for the book: enriching and expanding Vietnamese typography.

The text face is Fern, designed by David Jonathan Ross. Headers and captions are set in Adapter, designed by William Montrose and Sláva Jevčinová. In addition, I used tons of typefaces throughout the site.

Typographic Samples

The book was published 10 years ago, but I still continue to add new type recommendations for Vietnamese and create new typographic samples. In the first edition of the book, I wanted to give a few examples of typesetting in Vietnamese so that type designers could see how Vietnamese diacritics worked. In the second edition, I redesigned the entire site and expanded the sample section. It has become my favorite design exercise and experiment. Let take a look at a few examples:

Vietnamese Proverbs

While reading Nguyễn Phan Quế Mai’s beautiful, poignant The Mountains Sing, I highlighted all the Vietnamese proverbs she had incorporated throughout the novel. I love her straightforward translations of these proverbs. For this project, I pulled out all the proverbs from the book and set them in Every, designed by Anita Jürgeleit. I wanted to show the contrast between macro and micro sizes.

An article in the NY Times

In this sample, I added back diacritical marks to make Vietnamese text accessible to Vietnamese readers. The sampled article is typeset in Kaius, designed by Lisa Fischbach, and Job Clarendon, designed by David Jonathan Ross and Bethany Heck, and Change, by Alessio Leonardi. I also enhanced Nguyễn Phan Quế Mai’s Hà Nội reading list with beautiful book covers.

Beacon of HOV

I have always been a huge fan of JAY-Z. Underneath his flamboyant flows, he packed his rhymes with articulated alliterations, meticulous metaphors, and witty wordplays. When listening to his music, I always found something new and intriguing.

In 2023, the Brooklyn Public Library held a tribute exhibition to JAY-Z and it was called the “Book of HOV.” I was inspired to create a webpage with my favorite JAY-Z lines and I called it the “Beacon of HOV.” I also translated his lyrics into Vietnamese to fit the project. For this project I play around with all of the display typefaces I could get my hands on.

Scalia Law Website

As I introduced myself in the beginning, I am director of design and web services at Antonin Law School, George Mason University. Prior to my promotion into the director position, I was web services developer. The job required backend programming skills, which I did not have. I never had to run and maintain my own server before. I never worked in a content management system called MODX.

During the interview, I only showed my front-end web design works. My predecessor gave me a take-home exam, in which I had to access the server via the command line, change the data in the database, and update the dynamic course schedule. I didn’t even know how to use the command line. I wanted to give up, but I didn’t want to be embarrassed. I googled and phoned two backend developer friends for help. I spent 2 sleepless nights on the exam. I finally got something to run, but I didn’t know if it worked correctly. I submitted my exam even though I did not plan on taking the job.

They called me in for the final interview and offered the job, in which I was surprised. I told the supervisor that I did not have the backend skills for this job, but I was willing to learn. She told me, “You can learn about the backends. We will send you to training. We hired you because you will bring your strong design skills to our web presence.” She took a chance and me and I couldn’t let her down.

I spent the first six months getting trained in Red Hat Linux, learning about the CMS templating system, ripping away the HTML and CSS, and rebuilding the site from the ground up. I learned a ton. The latest version incorporated grid layouts and typeset in Pelago and Minion, designed by Robert Slimbach.

Covid & Climate

Next, I would like to share a project that was commissioned by the Mural Arts Philadelphia. In early September 2020, Shari Hersh, director environmental justice at Mural Arts Philadelphia, reached out to me after she came across an interactive project I worked on. Her team had been working on a project to unearth the hidden connections between Covid-19 and Climate Change. She invited me to design a website for it.

In late December 2020, we scheduled a kickoff meeting via Zoom. Unfortunately, it was on the same day I had to make one of the toughest decisions in my life. Should my mother who contracted Covid-19 get on the ventilator? I called off the meeting. I told Shari and her team that I had an emergency related to Covid-19 and that I could not take on the project at the moment.

My mother passed away after her brutal battle with Covid-19. I spent two months grieving. In late January 2021, I sent Ms. Hersh an apology and checked in to see if she had found a web designer for the project. I felt bad for dropping the ball on her and her team, but I did not expect to get the job. Her team was in the process of interviewing several candidates for the project. Twenty four hours later, they decided to move forward with me.

The site consisted of high-quality SVGs converting from original artworks. Each piece of artwork featured handwritten text as well as headings set in Korinna, designed by H. Berthold AG. For reading text, I proposed Forma DJR, designed by David Jonathan Ross.

With all the materials on hand, I designed the website quickly. Since this project was one of its kind, it was not tied into any content management system or technology, I had the complete freedom to design and develop from the ground up.

The site was straight up HTML and CSS with heavy use of SVGs. I used a bit of PHP to make the site easy to manage and to update. Because all of the illustrations were in vector format, they look great on any device.

I learned a great deal while putting the site together. I read all the pages just to make sure all the characters and punctuations were correct, but also to learn about these invaluable discoveries based on facts and thorough research. I love the balance between engaging illustration and insightful content. I dedicated this project to my mother.

Go the Fuck to Sleep

I have many more projects to share, but let’s end on a high note. This motion graphic piece was inspired by the satirical children book titled, Go the Fuck to Sleep, by Adam Mansbach. As a father of four boys, I could relate to the book.

When I listened to Samuel L. Jackson narrating the story, I couldn’t help firing up Flash and creating some animation. The type was set in Univers, designed by Adrian Frutiger.

Thank you for your time.

My final thesis for my MA in graphic design, Vietnamese Typography, turns 9 today. Over the years, this special book has given me the opportunity to collaborated with type designers and typographers around the world. It has lent a hand in expanding and enriching Vietnamese typography.

When I turned in my final thesis, I submitted a physical book and an online version. Three years later, I launched the second edition with only the web version. The obvious reason was that the I had always been a web designer first. The decision to focus only on the web book was that I wanted the book to live on. Once the book is printed, it cannot be changed. On the other hand, the web book can be updated anytime.

Over the years, I made minor edits to the content and added new recommendations for typefaces that support the Vietnamese language. My favorite part of the project had to be designing new samples to showcase Vietnamese language, culture, and literary.

I will continue to work on this project for many years to come.

After my freshman year at La Salle University, I decided to change my major from communications to digital arts. I found out that I didn’t like public speaking; therefore, I wanted my arts to speak for me.

I checked the University of the Arts website and was impressed with its programs and students’ projects. I wanted to apply, but then I decided to stay at La Salle when some faculty members informed me that La Salle would have a brand new program called Digital Arts & Multimedia Design next year.

I just learned that UArts will close on Friday, June 7. The abrupt closure is devastating, especially for the current students. Fortunately La Salle offers personalized transfer plan for all University of the Arts students. The digital arts program at La Salle has come a long way. As one of first graduates in the DArts program 23 years ago, I am doing fine in the field I studied.

As a web designer and an adjunct professor who has a passion for typography, I researched and wrote a book on web typography. Professional Web Typography was my independent study in pursuing my Master of Arts (MA) degree in graphic design at George Mason University.

The first edition of Professional Web Typography was released as a web book in 2015 when web fonts started to take off. At the time, I could not find a book that combined typography principles with web technologies; therefore, I decided to write the book myself.

With my experience of designing websites for over two decades, I understood the importance of legibility, readability, usability, and accessibility when setting type on the web; therefore, I delved into topics such as selecting body text, choosing headlines, picking type for user interface, and discerning typographical details.

My goal was to prove that typesetting on the web was fun and rewarding—not intimidating. As a result, I kept the technical aspects as simple as possible. Back in 2015, variable font was still in its infancy. Not all browsers adopted variable fonts. Today, browser makers, type creators, and web designers are all on board.

My current research is to show the benefits of variable fonts for designing web experiences. Using just a few lines of CSS, designers can have a wide range of possibilities including setting specific weight, width, and optical size.

My future research is to expand the power of variable fonts to make the web experiences more diverse. One of my research interests is language support. As a native Vietnamese speaker and writer, my goal is to see more support for the Vietnamese in typefaces.

I just realize that Vietnamese Typography went live today eight years ago. Time had flown by quick.

Even though the project was my final thesis for my MA in graphic design, I have never stopped working on it. A website is never finished. I still add recommendations for new typefaces with Vietnamese support. I still create new samples, which no one else cared but me. They have become my favorite design exercise. In addition, coming up for the content for these samples has been my way of learning the Vietnamese language through music and poetry.

I also update the client list. It has been such a great pleasure collaborating and getting to know designers all over the world. Type design is such a global community.

I also would like to thank those who had support this project. I appreciate your generosity.

Lastly, thank you for reading Vietnamese Typography.

In his commencement speech, Việt Thanh Nguyễn joked, “A B+ is an Asian F.” As a friend and I made some jokes on Facebook about our failing grades according to the Asian standard, a friend of my sister chimed in:

I hope no one will be laughing when your kids bring home an F report card
It not ok to be failing when you know your kids can do better than failing it call a lazy

I could hear the conceited tone in her voice and I thought she had missed the joke. I explained:

In his speech, Viet joked that, “a B+ is like an Asian F.“ I had Bs in my report card and they were considered Fs in Asian standard. That’s the joke. Of course, if our kids gets F, that should be a concern. B+ is not a bad grade.

She replied:

i didn’t even accept the B+ just saying oh well that how my daughter is she where she is now

I followed up:

That’s great that your daughter could live up to your expectations. That is also the point Viet is making in his speech. Asian parents accept nothing less than A’s. A B+ is considered to be a failure. Thanks goodness, my mother didn’t expect me to get all A’s. I was an average Cs student and I turned out OK (I think). If she were to push me to get all A’s, I might have dropped out of school with severe depressions and suicidal thoughts.

She responded:

i have my own standard and when parents should know their children capable of more than what they are currently demonstrating

In retrospect, my grades weren’t so good and my excuses were my limited English knowledge. I did OK in middle school because I studied the tests by memorizing the study guides. In high school, my grades were Bs and Cs. Any classes that required class discussions and presentations, I failed miserably. Again, my excuse was English. I had no idea what the teacher and my classmates were talking about. I also took AP Calculus in my senior year and failed miserably. I ended up hating Calculus. Fortunately, La Salle had already accepted me before my final grades for senior.

Thanks goodness, La Salle didn’t require any math course, but I faced different challenges. La Salle required three or four philosophy courses. Again, I was like a muted student in class. I had no idea what my professors were talking about. I took a philosophy class on religion. We studied the Bible and I got as far as in the beginning God created Adam and Eve. I new nothing else after that. I ended up with a C in that class. In another philosophy class on sex, marriage, and religion, the professor knew my English was not so good. After flunking the first test, I was pulled aside. The professor made a deal with me. Each week, I had to meet him during his office hours to discuss about sex, marriage, and religion in Vietnamese culture. If I could do that, I no longer needed to take his tests or the final exam. I ended up with a B in that class and I thanked him til this day for his accommodation.

I had to withdraw public speaking, history, and biology because I was failing. I had to retake them in the summer at the Harrisburg community college to make up for them. In other general college courses, I didn’t even bother to buy the textbooks because I weren’t going to read them. Textbooks were expensive and I didn’t want to waste my money. I was struggling in all my courses, English in particular, because I didn’t know how to write essays. My English was horrible.

My plan to graduate from La Salle was to have a perfect attendance. I recalled some professor said that if we were to come to class everyday, we could guarantee a C even if we failed our tests. I took that to the heart. I never missed classes. I loved it when my professors took attendance at the beginning of every class.

In my sophomore year, I was heartbroken and miserable. I could have dropped out and focused on web design with the technical skills I had picked up on my own. It would have disappointed my mother; therefore, I stuck to it the whole way through. Even though I didn’t have good grades, I had enough credits to get college degree, which is a piece of paper that I had misplaced somewhere.

After four miserable years of college, I thought to myself I was done with school for good. I hated reading and writing. Then I started this blog and things turned around. I became obsessed with both reading and writing. I used to be terrified when I had to submit my writings to my professors and here I am pouring my heart out for the whole world to read.

After working at George Mason, I decided to take advantage of my tuition benefits. I enrolled into the MA program in graphic design at Mason’s School of Art. I figured even if I scored average, I could just get a master degree. I had nothing to lose. My first class was Advanced Typography. I didn’t know that the professor had a bad reputation. I had to do a tremendous amount of work in his class, but I didn’t learn much about typography. He didn’t care about legibility and readability. All he wanted to see was attention-grabbing display typefaces. I didn’t think it was the right way to teach advanced typography. I ended up with a B+ in his class. I didn’t feel bad about it until I received all A’s, an A+ for my independent study, in which I wrote Professional Web Typography, and another A+ for my final thesis, in which I wrote Vietnamese Typography. It all worked out at the end.

Based on my own experience, I don’t want to set high expectations for my children. I rather have them enjoying school and what they learn than chasing straight A’s. I don’t see the need for taking advanced classes at young age. They will have the opportunity to take them in college. As long as they do not drop out, I am happy with that. A B+ is not an F for me.

As an Asian parent, I wanted my sons to do well in school. If they can get A’s, they should, but it is not the end of the world if they can’t. My oldest son who is now in seventh grade should be able to get all A’s because he has the choice to redo any assignment and retake any test to bring up his grades. There is no reason not to do it unless he chooses not to. Of course, he chose not to and my wife had to constantly reminding him to redo and retake. If I had those choices when I was in seventh grade, I would have had straight A’s on every report card.

I might contradict myself, but own my advice is to do the best I can. I would do anything—retake the tests, redo assignments, take on extra credits—to get better grades. If I can’t A’s because I didn’t do well on my exams, I wouldn’t beat myself up. I would just suck it up and go through the process. At times, I felt like the dumbest student in class, but I didn’t care. My goal was to get that paper any means necessary. I would just keep moving forward and not giving up until I get that paper. A college degree is a college degree. They all the same.

Dr. Joy Garcia Tiên, my life-long mentor, asked me to take her back to my middle-school journey. She also wanted to know what divided us and what held us together. To answer her questions, I wanted to go all the way back to my first experience living in America.

I started sixth grade at Lafayette Elementary School with limited English. I spent half a day in my regular classroom not understanding what my teacher and my classmates said. I felt out of place. Fortunately, the ESL (English as Second Language) classroom was my comfort zone. All of the ESL students shared a similar circumstance and our goal was to improve our English. Our ESL teachers, Mrs. Susan Hurlburt and Mrs. Sue Kresge, had done an excellent job of making us feel comfortable and welcoming. They not only taught us English, but also helped us to adjust to our new lives in America. They were more than our teachers. They were our guardians.

I went on to Reynolds Middle School in seventh grade and faced different challenges. Reynolds had a diverse student body including Black, Hispanic, White, and Asian. English remained an issue for me and I still attended ESL classes, but only forty-five minutes a day instead of half of a day. Asians, Vietnamese immigrants in particular, were the minority. It was the first time in America that I experienced bullying, and race played a part of it. I was called “Ching Chong,” “Slanted Eyes,” or “Chink” on a daily basis even though I am not even Chinese. I did not know much English, but I recognized the racial slurs. I got into fights to defend myself. My grades dropped tremendously after a suspension for getting punched in class. I was miserable and didn’t feel like getting up in the morning to go to school. I realized that the students were divided into their own ethnicities and the majorities had more power over the minorities. I kept my head low and focused on my academics.

In eighth grade, I joined the Upward Bound program. I still can’t recall how I signed up or how I heard about it, but the pre-college program changed my educational life. My experience at the Upward Bound summer program was completely different from my regular school year. The program was also made up of a diverse group of students from different backgrounds, cultures, schools, and cities, but I did not experience any bullying or racism. In the summers, I was able to hang out with our little Vietnamese group as well as expanded into the larger groups. I did not know how Ms. Doris Cross, Dr. Joy Garcia Tiên, and the entire Upward Bound staff made it possible, but I was grateful for the individual-yet-inclusive experience. Black kids blasted hip-hop in their rooms; Hispanic kids blasted their salsa in their rooms; White kids blasted their heavy metal in their rooms; we blasted Vietnamese ballads in our rooms. No one complained until curfew time. Before wrapping up each summer program, we put on cultural shows and performances to celebrate our differences.

In retrospect, what united students in the Upward Bound program were our goals and our circumstances. Although our skins, cultures, and ethnicities were different, we were from low-income, underprivileged families. While other kids enjoyed their long summer vacations, we chose to attend summer classes and to challenge ourselves with pre-college courses taught by college professors. We were committed to make a better future for ourselves. We spent the summer living, studying, eating, and hanging out together; therefore, we embraced and respected our differences. Once we found our common ground and goal, we lifted each other up instead of tearing each other apart. As a result, I had found a special bond with my Upward Bound colleagues from my middle and throughout high school years.

I would love to hear from other Upward Bound alums on their perspectives and experiences. I also would love to hear from other Vietnamese Americans, particularly how they dealt with racism or bullying in middle school. Even today, I still wonder about that period of my life. Were kids at that age understand racism? Was I targeted because of my lack of English? Was I picked on because I did not fit in? Now as a father, I do not wish to see my kids go through what I had been through, but these experiences had shaped me and made me more resilience. I did not succumb to negativity. I found support elsewhere and appreciated those who were there for me, believed in me, and gave me the opportunities.

My résumé shows that my entire career has been working in higher education. I started off at Vassar College for five years, moved on to George Washington University for three years, and landed at George Mason University for almost nine years. Why do I choose to work for higher education? The short answer is that I wanted to make money and keep on learning at the same time. I am still doing both of these things today.

In the summer of my sophomore year in college, I landed my first graphic design internship at the Trump Marina, which was the casino the savvy businessman ran to the ground. Although I was paid, I did not do jack. The in-house graphic designer didn’t give me anything to work on. I got tired of sitting in front of a Mac computer with no internet connection. I quit after two months and decided to focus on web design instead of graphic design.

Then I landed another paid internship at Unisys. I had no clue what the company did and I still don’t know what they do now. I was working with two older gentlemen on an intranet. They worked on a zip disk, burned the site to CDs, and distributed them within the company. They gave me a copy of the site to play with, but they gave me no instruction on what to do. I gave them advice on cleaning their codes because they were using Microsoft FrontPage, but they were not interested in implementing the changes. I quit after a month and a half and joined my classmates at La Salle University working on a start-up website called weplayit.com, which was some kind of a sport registration site for kids. I was recruited because of my Flash animation skills. It was a sweet gig. Unfortunately, I got laid off the day after the site launched. I guessed no one signed up.

Then I landed a part-time job at D4 Creative, an advertising agency in Philadelphia. I was hired to do Flash work and I was tasked with cheesy email ads. After a few weeks, my supervisor told me that he didn’t have any more work for me. He didn’t fire me, but he never called me back either.

I graduated from college and faced the dot-com bubble burst. I could not find a web-related job; therefore, I ended up stuffing papers into envelopes at RR Donnelley full-time and coding HTML pages at Triple Strength part-time. I finally landed my first real full-time job at Vassar College doing web design. At Vassar, projects didn’t move as fast as the agencies and deadlines took longer, which gave me the time to design, to experiment with different techniques, and to implement new technologies. I loved the educational environment where I could work and learn at the same time. After work, I went to free lectures and even free dinners sometimes. I audited classes and my favorite one was the course on the history of jazz. That class opened up my world to improvisational music, something I had never noticed before.

I moved to Virginia, worked for George Washington University School of Business, and started my own family. I had a rough time there, but I managed to get by. I even enrolled into the MS in Information Systems Technology program. I dropped out just after two months to take on a new job at George Mason University School of Law, which had been renamed to Antonin Scalia Law School.

Although educational institutions pay less than private companies, they are more secured. You are less likely to get laid off or fired unless you screw up really bad. On the positive side, tuition is the key benefit. I have an older friend who still works at American University and he put two of his kids through college for free. He saved four hundred grants right there. For me, getting an MA in graphic design at George Mason University School of Art was such a rewarding experience. Not only I didn’t have to pay a dime, I also made money teaching as an adjunct professor while earned my credits toward my degree. I wrote Professional Web Typography for an independent study, in which I earned an A+ and made some money off it as well. For my final thesis, I wrote Vietnamese Typography and put it out for free. The book had started my consulting works with type designers.

Lately I have been thinking of enrolling into a master writing program at Mason since I love to write so damn much. I would love to do non-fiction writing or journalism. I floated the idea to my wife, but she shut it down quickly. My priority right now is my kids. When they grow older, I’ll reconsider it.

Even if you just graduated from college and want to further your education, you might want to consider higher institutions. I hope this long post will inspire you to do so.

Completely redesigned, revised, and expanded, the second edition of Vietnamese Typography takes on a bolder visual direction to provide more useful information, supply more illustrations, and feature new typefaces. For the new design, I wanted to turn the website into a rich browsing experience that is similar to a coffee table–worthy book.

The page is structured in a four-column fluid layout using CSS Grid. It is fully responsive from small devices to large screens without limiting the width of the browser. The columns changes from one to two-two to one-three depending how large the screen it. The larger the screen, the larger the illustrations. The size of the body text remains constant.

The text face is set in Fern, designed by David Jonathan Ross for reading text on the screen. I loved Fern the first time I spotted it on his sample page. When I was thinking a typeface for the second edition of this book, I immediately thought of Fern, but it did not support Vietnamese. I reached out to David to see if he would like to expand it some time in the future. Shortly after our exchange, David began to work on it. The first draft he sent me, I thought I have received a special gift. I went through every single diacritical mark and provided him my feedback. He nailed it on the second draft. I am so happy to have played a role in this elegant, grace typeface.

In addition to Fern, I used Roslindale, also by David, for headers. Subheads and captions are set in Retina, designed by Tobias Frere-Jones. I added Exchange, also by Tobias, for the quotes. Besides these four typefaces, I included 40 more typefaces throughout the site. Needless to say, I wanted to have as many typefaces as possible. This is the opposite approach of my conservative view web typography: Only use what you need.

In this new edition, I did not enlist any editors. My friends were already generous enough with their time helping me out with the first edition; therefore, I don’t want to ask for anymore of their precious time. I would have loved to hire an editor, but I did not get enough financial support from the first edition.

For the second edition, I thought of putting it behind the paywall or just release the print edition, but I still love the open web. I have invested tremendous time and energy into the second edition and my hope for the return of investment is still slim. Again, if you find this book useful, please consider supporting the effort.