Here are some resources I gathered for students when I taught web design classes.
Some projects I had worked on during my study for my MA in Graphic Design at the George Mason School of Art.
Vietnamese Typography: Nghệ thuật chữ Việt Nam
Wrote, designed, and published a web-based book on Vietnamese typography as a final project (AVT 794) to complete my MA in Graphic Design. Read more.
Professional Web Typography
Wrote, designed, and published a web-based book on web typography in Practices in Graphic Design (AVT 519). Read more.
Post Binding
Handcrafted a book for the final project in Experiential History of Graphic Design (AVT 613). Read more.
Web Typography: A Brief History
Wrote a research paper on the history of web typography in Experiential History of Graphic Design (AVT 613).
Nas’s Quote
Created my first calligraphy using pen, ink, and paper in Experiential History of Graphic Design (AVT 613). Learn more.
Mobile App Prototype for Sketches of Miles
Designed an app prototype for a do-over project in Professional Design Practices (AVT 599). Read more.
Video Résumé
Created a short typographic animation in Professional Design Practices (AVT 599) to show why I love the web. Read more.
Four Words
Created four words (“fire, water, earth, and air”) using analog typography in Graduate Design Seminar (AVT 596). Read more.
Magazine Ads for Simplexpression
Created an integrative design of handcrafted types and digital components in Graduate Design Seminar (AVT 596). Read more.
The Jazz Board Game
Created the concept and designed a jazz board game in Graduate Design Seminar (AVT 611). Read more.
The Vietjazz Branding Guide
Designed a branding guide web site for Vietjazz Records in Brand Identity Design (AVT 614). Read more.
Unitea
A fictitious tea company developed in Graduate Design Seminar (AVT 611). Read more.
As of today the paperback and PDF version of Vietnamese Typography are discontinued and no longer sold on the web site. Making updates to all three versions had taken up too much time and effort. The print edition, in particular, had been a hassle to update. Every time I found a typo, I had to resubmit the entire book to Blurb, delete the old version, change the new link, and buy at least one copy of the new version for myself in order for the book to stay in the Blurb’s bookstore. The entire experience wore me out. Maybe Blurb is not the right choice for publishing my book.
On the other hand, if an error is found on the web site, I can make the change instantly without any cost. As a result, I am focusing my attention only on the web site. I can create and edit any part of the site without much effort. Yesterday, I added a new literary example, which is a request from a type designer. He asked for a long-form example so he can analyze how the diacritical marks are set in long paragraphs.
To make the example not just useful for examining typography but also learning about Vietnamese history, I decided to including the intriguing mystical legend of the origin of the Vietnamese people. After days of research, I borrowed an excerpt from an essay that talks about the fascinating myth.
Since the site is no longer selling the paperback and the PDF edition, I switch to the support system. I hope readers will contribute to the project if they find the resource useful.
Thanks to the graphic design students in AVT 498 for the lovely card and the gift card. I am glad that the web site for the Senior Show worked out. You did all the work. I only helped out just a bit. Nevertheless, I appreciate your gift and will put it to good use on books over the holidays. Congratulations on final project. Looking forward to seeing your work at the closing reception.
Last night we wrapped the last day for Web Design & Usability. Students presented their portfolio web sites. Some of their codes are still rough, but they have until next Friday to fine tune their site. They seem to have the foundation down. My hope is that they will continue to work on it beyond the class. The only way to learn to is keep working and refining their site. I have been working on my own site for fifteen years and still making changes to it.
Overall, I am pleased with the students’ performance. They put in their share of work. My TA was also great. He helped out by providing good feedback to the students. As for me, this could be my last teaching. I am taking next semester off to spend time with my family, especially the newborn. I am not sure if I will return after that. Regardless, having taught three classes—Introduction to Web Design, Web Design & Usability, and Advanced Web Design—gave me a good experience. I am happy that I did it, especially seeing students improved their design and a bit of coding.
After ten days, we took down our 4×4 exhibition. My part took the quickest to de-install because it is minimal comparing to my cohorts. Even though the printed books were supposed to be read in the gallery only, eight of my copies had left the building. I am actually glad that visitors found some interest in my book.
I had a chance to read through the guestbook and the following entry made my day:
Love it!
Donny—thanks for touching on an issue a lot of type designers ignore. Keep it up! You’ll change the world.Great show
Thank you
I couldn’t figure out the guest’s signature, but I am really appreciate the compliment. Thanks to the person who had written it. It means a lot to me.
4 Books By 4 Designers
George Mason University
M.A. Graphic Design
Final Exhibition
Nov. 30 – Dec. 5
Reception Nov. 30, 6 – 9 pm
School of Art Gallery
4400 University Drive
Fairfax, VA 22030
Please join us in the School of Art gallery to celebrate our final thesis exhibition! On display will be four books representing the culmination of our graduate studies:
Refreshments will be served and a short reading will happen around the halfway point.
We hope you can make it!
–Melody, Marianne, Paul & Donny
Type designer and professor Phạm Đam Ca:
Việc làm này của anh không chỉ ý nghĩa với type design mà với cả cộng đồng người Việt nữa.
Monotype’s type designer Toshi Omagari:
I just wanted to congratulate you on the release of Vietnamese typography thesis. It was a much needed information on the subject, and will be used as a reference for years to come.
Computational linguist Ngô Thanh Nhàn:
I have not seen such passion for fonts since James Đỗ Bá Phước with his Vtopia.
If you have read the book, I would love to hear your thoughts.
I am proud to present my new book titled Vietnamese Typography: Nghệ thuật chữ Việt Nam. It was written not only as a final project to complete my MA in Graphic Design at the George Mason University School of Arts, but also to fulfill my personal goal: to expand and enrich the quality of Vietnamese typography.
As a Vietnamese-American designer with a passion for typography, I often find limited choices for setting type in Vietnamese. Although Vietnamese is based on the Latin alphabet, most typefaces were not designed with Vietnamese subsetting. As a result, I set out to write this book to help type designers understand Vietnamese’s unique typographic features so they can design their typefaces to support the Vietnamese language. Furthermore, I want to help graphic and web designers in using correct Vietnamese typography for a given project. The book is aimed at providing insights into the subtle details and nuances of the Vietnamese writing system, that can be used for reference and transferred into practice.
One of the reasons I wanted to write this book is that I haven’t found any publication that dedicated to Vietnamese typography. When I started my research, I could not find much information on it. I even asked friends and family members in Vietnam if they could get me some books on typography written in Vietnamese, but they could not find anything. I ended up using books written in English on this subject—even though they barely scratched the surface—as well as my own experience in Vietnamese and typography. Through writing this book, I had learned many details about Vietnamese typography that I didn’t pay attention to before.
In an effort to share what I have learned and to reach out to designers around the world, I chose the web as publishing platform. The book is available to read for free at vietnamesetypography.com, but I also designed a print edition. The paperback copy is available for purchase on Blurb.
For the design, I wanted to keep the book consistent in both print and the web. The text face is set in Garamond Premier Pro, designed by Robert Slimbach. The subheads, captions, and UI elements are set in Acumin, also by Slimbach. The website was developed using HTML, SCSS and some PHP. The layout is responsive so that the book could be read on any device. Fonts are served through Typekit. Service Worker was installed for offline reading. The print edition was set in Adobe Illustrator.
This book is near and dear to my heart and I could not have written it without the support from friends, colleagues, and family members. Thanks to professor Jandos Rothstein for his guidance in working with me on this final project to complete my Masters of Arts in Graphic Design. Deep gratitude to Linh Nguyễn for her critical evaluation of the first draft. Based on her invaluable feedback, I rewrote almost everything. Big up to Jim Van Meer for his meticulous proofreading of the early drafts. Props to Trang Nguyễn, Raymond Schwartz, and Chris Silverman for their thorough editing, detailed assessments, and indispensable inputs. Huge appreciation to Phạm Đam Ca for taking his time to explain to me the nuances of Vietnamese type design. Kudos to readers of the beta versions: John Balaban, Tim Brown, Ken Lunde, Ngô Thanh Nhàn, Trung Nguyễn, John Phan, and Christian Schwartz. Finally, mad love to my wife Nguyễn Đức Hải Dung for her support and enlightenment.
I am thrilled to share this book with you. I hope you enjoy it too!
For the second project in Web Design and Usability, students chose a web site to redesign. To read the requirements, refer to last year’s post. Most students had done a good job of improving the existing sites they had selected. Two particular students, however, went above and beyond.
Tina took on the daunting task of redesigning the Periodic Table. When she showed me her early mockups, I suggested that she might want Univers by Adrian Frutiger for her periodic table. She took it and made a striking redesign using just type and colors. The new design is beautiful, clean, and user-friendly.
For Angela, she took on the challenge of redesigning VegWeb. Her first mockup was nowhere near her level of work, based on what she had done in the first project. I asked her to stepped it up and she did. She emailed me five, six of comps at one in the morning on Saturday. Although most of them were good, the editorial layout stood out to me. She was not sure if it was the right direction because she felt restricted to do more traditional layout for the web, but I encouraged her to push more into the editorial approach. Truth be told, web design these days is kind of boring. Most sites looks very similar; therefore, I wanted to see more breaking designs, especially from students. What she delivered I couldn’t be happier even though I knew it would be a huge challenge to turn her mockups into HTML and CSS. She did an amazing job with balancing big type and stunning photos. Her strong grid layout makes the pages look so damn good. She’ll have a great future ahead.
These type of works really make teaching rewarding. I will definitely miss it after this semester.