I have been revisiting Miles Davis’s early work and loving his fine-ass ballad playing. Here are a few albums I am enjoying.
This album kicks off with the heart-rending rendition of “It Never Entered My Mind.” Miles played the mute trumpet as if he’s about to cry. “In Your Own Sweet Way” is another sensational standard with the Miles touch.
Miles played a few bebop numbers including “Salt Peanuts” and “Well, You Needn’t,” in which he sounded less confidence than the ballads “When I Fall In Love” and “Something I Dreamed Last Night.”
Relaxing to some mid-tempos like “If I Were A Bell” and “If I Could Write A Book,” but the beautiful ballad is “You’re My Everything,” in which Miles told Garland to play some block chords.
Miles’s take on “‘Round About Midnight” didn’t sit well with Monk, but it was his admission to Columbia record. His muted tone cuts straight to the emotional core.
This is a Cannonball Adderley’s album, but Miles stole the spotlight on “Autumn Leaves.” This is one of the finest ballad-playings period.
Miles plays with title track without the muting device and his lyricism was still impressive. “All of You,” “Stella by Starlight,” and “I Thought About You” were beautifully played from the all-star band.