By the time Round About Midnight released, Miles Davis had disbanded his group and moved on to a new musical direction. Nevertheless, this album is one of his finest works. His Harmon-muted solos on Thelonious Monk’s “’Round Midnight” are just achingly beautiful. Every note he played is streamlined and refined to create a deep emotional impact. Unlike Charlie Parker, Davis stripped down everything on “Au Leu-Cha” and only played the most essential notes. It’s the thoughtfulness in his phrasings that made him stood out.