Duy Manh is incorrigible. His vol. 3, Kiep Ban Do, is another distasteful, disdainful piece of crap. He needs to leave the saxophone alone because he’s using it wrong. He desecrates the instrument and rapes the culture. Manh, if this is a sickness, get some help pulling your shit together.
I have heard quite a few negative comments about song-writer/song-lifter Quoc Bao. To be honest, I only know his music (not that impressive) and not his personality. Not that I am interested in getting to know him, but when I came across his interview, I am more than shock to read his view on women. The sucker said that he’s afraid of women who have confidence in their talent. If women only talk about their “talent,” they will miss many things they wouldn’t know. He suggests that women should only be confidence in their beauty instead of talent. What a sexist bastard!
Every Vietnamese magazine I flip through these days, there’s coverage of Ngoc Lien. Yes, she’s the one that makes The Son looks like her dad in their duet on Paris By Night. No disrespect to The Son because I would look like a grandpa next to her even though I am much younger than The Son. That’s how good and fresh she looks. In a broadcast she did with Truong Ky, she told him that she is influenced by Khanh Ha, Tuan Ngoc, and Ngoc Lan, but she won’t perform music of Trinh Cong Son, Ngo Thuy Mien, and Tu Cong Phung because their music only attracts a small chunk of listeners. So she decided to go for more popular music for the mass audience. You want to slap her, but you sympathize her. Her voice isn’t strong enough to carry out those tunes, and she knows damn well that she can’t express these songs to their fullest potential. Basically, what she saying is that she has a good taste, but her listeners are idiot so she has to dumb down her music for them. Well, good luck. When people get tired of looking at your face, they won’t listen to your voice either.