As I am listening to Nguyen Khang’s rendition of Dieu Huong’s “Vi Do La Em” from his boxed sets with the same name, I wish that he had applied to this track his rough, raw, and rugged delivery that was used on Elton John’s “Sorry Seems to Be the Hardest Word” from his debut Cung La Tram Nam. The result would have been so damn wicked because he has the ability to metamorphose the basest metal. Imagine what he would sound like kicking off the song with, “Khong can biet em la ai” in his thuggish flow. Too bad, he played safe and performed it in a straightforward approach. If I get a chance to see him in concert, I’ll make him sings the ballad the way I want to hear it (dream on, Donny). Speaking of live performances, the collection included two exceptional recordings—Pham Duy’s “Tam Su Goi Ve Dau” and Vu Thanh An’s “Tinh Khuc Thu Nhat”—in which he ripped live like a professional assassin, efficiently perfecting his execution. Out of all the forty tracks selected, Nguyen Khang made more hits then misses on the standards of well-known songwriters including Trinh Cong Son, Ngo Thuy Mien, and Tram Tu Thieng. I have accumulated both Nguyen Khang’s box sets from Bien Tinh Music, but I rock Vi Do La Em more often than Trai Tim Ben Le.