George Lopez: We’ll Do It For Half

The title of George Lopez’s latest Netflix special based on his snarky tweet on the president; therefore, I expected some heavy-handed criticism on the target. Unfortunately, he only poked a few holes. The materials were not fully developed. Lopez went all over the place from getting old to parenting to the Latin-American community. Lopez used quite a bit of Spanish without bothering to translate or explain. I must have missed half of his half-ass jokes.

The Matrix: Reloaded & Revolutions

I rewatched Reloaded and Revolutions. The special effects and animations on these both films are astonishing. The sex scene in Reloaded was hot. The battle scene in Revolutions was mind-blowing. As for the story and the script, the first one was still superior. I am definitely looking forward to seeing the forth installment in 2022.

Spike Lee: Da 5 Bloods

Spike Lee’s new joint for Netflix takes four Black-American veterans back to Vietnam to recover their soul and gold. The journey takes on a dark path once they found what they were there for. Lee joined forces Black actors (Delroy Lindo, Jonathan Majors, Clarke Peters, Norm Lewis, and Isiah Whitlock Jr.) with Vietnamese actors (Johnny Trí Nguyễn, Ngô Thanh Vân, Lê Y Lan, Nguyễn Ngọc Lâm, and Sandy Hương Phạm). Lindo gave an unforgettable performance. He looked so damn menacing in the red MAGA hat. Perhaps you don’t want to fuck with a Black veteran who voted for Trump. It’s missed opportunity with one-sided perspective.

Dave Chappelle: 8:46

Chappelle is on fire on 8:46, which was his birth time as well as how long George Floyd’s neck was blocked by the police’s knee. Chappelle is thoughtful and provocative on the murder of George Floyd. He calls Laura Ingraham a cunt and calls out the stupidity of Candace Owens. I have not seen any living comedians can speak their minds like Chappelle. Given his status in the comedy world, I respect him even more. He’s a comic who does not afraid to speak the truth and he does not back down whether you agree with him or not.

The Matrix

I rewatched The Matrix last night after 21 years. The first time I watched it in a theater I did not understand what the heck they were talking about. My English was still pretty limited back then. The dialogs make more sense to me the second time around; therefore, I enjoyed it immensely.

Hannah Gadsby: Douglas

In her latest Netflix Special, Gadsby takes on haters, golfers, anti-vexxers, famous painters, and Louis CK too. She is a brilliant comedian with an autistic vision. She doesn’t just think outside the box. She eats the fucking box too.

Becoming

The documentary is not based on the book but more of an extension. Although we get to see the beloved former first lady behind the scene on her book tour, the film is not as intimate or as personal as the pages. She’s smart, charming, and inspiring, especially to young women of color. She appears down to earth, but also seems scripted. If you haven’t read the book, do that first before streaming the documentary on Netflix.

Jerry Seinfeld: 23 Hours To Kill

Seinfeld’s latest Netflix special was passible. His materials were decent even when he joked about Porta Potties. He was definitely entertaining, but he was not killing it. His voice was hair-raising when he took it up a notch. His body gesture was goofy at times. I didn’t feel this special much.

Russell Peters: Deported

Peters is still killing it after all these years. His materials haven’t changed much even though he got fatter. He makes fun of his own Indian fatness in his Amazon Prime special filmed in Mumbai. His subjects range from sex, race, and self deprecation. His wordplay and improvisation help brought out interactions from the audience. The special is entertaining to watch.

Miles Davis: Birth of the Cool

Stanley Nelson’s documentary of Miles Davis is a disappointment. In the first half of the film, Nelson uses more still images than live performances. Based on the title, I thought the film would focus only on Birth of the Cool. Compressing Miles’s entire music career in just two hours only scratches the surface of Mile’s extensive catalogs. My criticism might be unfair because I have spent tremendous amount of time listening to Miles and read as many books about him as I could get my hands on. If you haven’t heard of Miles Davis and just wanted a quick overview, this might do it. To really appreciate Miles, you have to dig much deeper.