John Koethe: Beyond Belief

I dig the bold typographic treatment on the cover of the book. The collection is about the beauty of the ordinary. Koethe writes about poetry and use the analogy of poetry in his poems. The first poem in the collection titled “What Was Poetry?” I also love the last one titled “A Way of Putting It,” in which he ends with:

Instead of reaching a conclusion, getting old is a study in tone
That leaves you where you are—still listening to yourself
A lifetime away from where you started, and not far from home.

B.H. Fairchild: An Ordinary Life

Whether writing about the loss of his son, the revenge of his father, or the sweet sound of Benny Goodman’s clarinet, B.H. Fairchild brings out the extraordinary of the ordinary life on the page with lyrical emotion. I didn’t understand every piece in the collection, but the ones I did I loved them.

Ange Mlinko: Venice

I don’t have a clue what I had read. Mlinko’s poems are way beyond my limited comprehension of poetry. I read the entire collection twice and couldn’t pick out one for my blog. It’s definitely not her; it’s me.

Su Cho: The Symmetry of Fish

A lovely collection from a Korean-American poet who received an MFA and PhD in poetry. I like the way she incorporates Korean characters into English even though I don’t know the words. My favorite pieces includes “The Symmetry of Fish,” “My Bed Shakes and I Assume the Ghosts Are Finally Getting Me,” and of course, “Remember This When You’re Hungry.”

Colm Tóibín: Vinegar Hill

I am a lazy-ass poetry reader. I want the poems to come to me rather I come to the poems. I read Colm Tóibín’s collection almost to the end before I started to pick his style and content. Maybe he writes about places I have no clue, such as Dublin and Wexford. Of course I could pick up the political scene “In Washington DC” and “In the White House.” The pieces I enjoy have simple structures such as “Canal Water” and “Prayer to St Agnes.” My favorite piece is “Eve.” It is just hilarious.

John Lee Clark: How to Communicate

A beautiful and heartfelt collection filled with human touch. John Lee Clark is a DeafBlind poet who writes in English Braille (EBAE). He even translated works from American Sign Language. His poems are enjoyable to read. One of my favorites is the biographical “A DeafBlind Poet”:

A DeafBlind poet doesn’t like to read sitting up. A DeafBlind poet likes to read Braille magazines on the john. A DeafBlind poet is in the habit of composing nineteenth-century letters and pressing Alt+S. A DeafBlind poet is a terrible student. A DeafBlind poet does a lot of groundbreaking research. A DeafBlind poet is always in demand. A DeafBlind poet has yet to be gainfully employed. A DeafBlind poet shares all his trade secrets with his children. A DeafBlind poet will not stop if police order him to. A DeafBlind poet used to like dogs but now prefers cats. A DeafBlind poet listens to his wife. A DeafBlind poet knits beautiful soft things for his dear friends. A DeafBlind poet doesn’t believe in “contributing to society.”

Taije Silverman: Now You Can Join the Others

I thoroughly enjoyed this second collection of poems from Taije Silverman. From motherhood to misogyny to marriage, so many gems in there and I will be sharing a few of them in my poetry posts. I am starting to understand poetry little by little. Like learning snowboard, I just have to get past that painful period before could begin to enjoy poetry.

Kien Lam: Extinction Theory

I had to read this collection three times to understand some of the poems. The first time I completely missed that his parents were divorced. The reason for the divorce was that his dad came out gay. In addition, Lam has many theories including God and smoking, but I can relate to him about drinking in “Anchor.” It’s a good collection from a Vietnamese-American fellow.

Roger Reeves: Best Barbarian

In his second collection, Best Barbarian, Roger Reeves delves into serious topics including violence, death, racism, police brutality, and fatherhood. His lyricism can be transpired from musicians including Alice Coltrane, John Coltrane, and Outkast. A stunning read even if I didn’t understand everything. More revisits are needed.

Devon Walker-Figueroa: Philomath

In Philomath, which means “love of learning,” Walker-Figueroa experiments with the forms of verse. I am still not getting used to the spacings. Am I still supposed to read from left to right and line by line? This collection is way over my head, but I love the typography, which sets in Adobe Jensen, designed by Robert Slimbach.

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