Debbie Berne: The Design of Books

With 20 years of experience and having designed hundreds of books, Debbie Berne covers every detail that goes into designing a completely book from start to finish. The primary focus is print. She dedicates one chapter on e-books, but nothing on web books.

On “Using Fonts Together,” Berne writes:

It’s certainly possible—and in type scholarship often considered admirable—to set an entire book in a single typeface. More commonly, I want two or three fonts for all the different situations inside a book. Usually, I will choose a serifed text type for the body text and a sans serif as a contrast for chapter titles and headings. Sometimes the diversity of text will make the addition of a third font appropriate- for sidebars or other distinctive passages, as display type in part or chapter openers, or for small areas of emphasis or little areas of flair. This is (usually) enough. Font choice isn’t the only way to differentiate kinds of text, and designers push type to show its many faces by using it bold or in all caps or larger or, when possible, in color. Keeping a font palette limited makes a big project feel unified and intentional.

This passage made me curious how many typefaces I used in Vietnamese Typography. It turns out 100 typefaces are being used for the book site. Oops! I broke the rule.

Nevertheless, this is a comprehensive, informative guide on designing a book that everyone who’s involved in publishing a book should read.