Honorarium

When I agreed to design and develop the web book for The American Robin, I did not expect any payment. I wanted to help out my mentor who is a close friend of the author. Furthermore, I wanted to spread the idea of leaving a legacy that anyone around the world could access.

The web book version of The American Robin is a wonderful gift from the author because the website has no ad, no paywall, no popup, no gimmick, and no tracking. Because the web book was intended to be free, I did not want to charge for my contribution. Nevertheless, I took the project as if I was paid in full. I stayed up late on weekdays and spent my weekends working on the book.

When choosing Warbler, designed by David Jonathan Ross, to typeset the book, I used my own license from the Font of the Month Club. Even though DJR’s standard licensing agreement has no restrictions on how many websites can be used, clients should have their own font licensing. After I decided to use Warbler for the book, I contacted David about the font licensing and he was totally cool that I used my own licensing for the web book.

After the web book went live, I spread the word on my blog, portfolio, and social media. I even emailed my friends and family members who liked reading. My job was done and I thanked my mentor for the opportunity to work on the book. She informed me that the author loved the website and thy had been discussing about offering me an honorarium.

I must confess. This was the first time I heard of the term honorarium. I had to look it up in the dictionary. It was an honor to work on the website even without a payment, but I was more than glad to accept an honorarium. I was delighted that my mentor was still looking out for me.

As soon as I received the check for the honorarium, I purchased a license of Warbler. The web book now has its own font licensing. Since I got paid, the type designer should get paid as well. It just felt great doing the fair share.

Why am I revealing this information? It’s a proof how bad I am at doing business. I rather designed for free then getting paid. When not getting paid, I made no compromises in the design and development of the project. If I was getting paid, I had to get approval from the client. My best projects have always been not what my clients want, but what their audiences get out of the project. The ideal projects are when the client, the audience, and the designer are satisfied. This web book is an epitome of that ideal project.