One Variable Font Rules Everything
Back in April, David Jonathan Ross sent me a demo version of Roslindale variable font upon my request. I hadn’t a chance to try it out until a couple of days ago when I had the idea of redesigning Trịnh Công Sơn’s lyrics sample page, which I had created to show off Vietnamese typography. In the previous version, I set each quote using various fonts from Font of the Month Club, which I am still a member. It was playful but distracting reading experience. Furthermore, the performance was terrible because of the amount of fonts. In this redesign, I wanted to take the opposite approach.
Although this version of Roslindale is still a work-in-progress, it demonstrates the power of the variable font technology. With just one file, I can use Roslindale for large display, body text, and everything in between. The level of control the designer placed in the typographer’s hand for setting text with variable fonts is unprecedented. As you can see on the page, the author’s name is set in ultra weight. Each song’s title is set in bold display. Each song’s lyric is set in text. Each song has highlighted quotes setting in thin italic display.
I am not sure who reads this page, but I read it all the time. Trịnh Công Sơn’s lyrics are filled with poetic prose. I love to read them when I have nothing else to read or if I need to kill time. It’s a great way to learn Vietnamese and to figure out Trịnh Công Sơn’s spellbinding lyrics. I have been using this page more than I had originally thought.
Many thanks to David for letting me experimenting with demo. I can’t wait to see the final release of Roslinsdale. I know it will be amazing.