The Secret of Poetry

When I was lonely, I thought of death.
When I thought of death I was lonely.

I suppose this error will continue.
I shall enter each gray morning

Delighted by frost, which is death,
& the trees that stand alone in mist.

When I met my wife I was lonely.
Our child in her body is lonely.

I suppose this error will go on & on.
Morning I kiss my wife’s cold lips,

Nights her body, dripping with mist.
This is the error that fascinates.

I suppose you are secretly lonely,
Thinking of death, thinking of love.

I’d like, please, to leave on your sill
Just one cold flower, whose beauty

Would leave you inconsolable all day.
The secret of poetry is cruelty.

Jon Anderson

Grief

You choose
the flowers
without petals.
The vase
with
murky waves.
You started
to explain
and then
stopped.

Ben Niespodziany

Insult

Insult is injury
taken personally,
saying, This is not
a random fracture
that would have happened
to any leg out there;
this was a conscious unkindness.

We need insult to remind us
that we aren’t always just hurt,
that there are some sources—
even in the self—parts of which
tread on other parts with such boldness
that we must say, You must stop this.

Kay Ryan

The Best of It

However carved up
or pared down we get,
we keep on making
the best of it as though
it doesn’t matter that
our acre’s down to
a square foot. As
though our garden
could be one bean
and we’d rejoice if
it flourishes, as
though one bean
could nourish us.

Kay Ryan

Losses

Most losses add something—
a new socket or silence,
a gap in a personal
archipelago of islands.

We have that difference
to visit—itself
a going-on of sorts.

But there are other losses
so far beyond report
that they leave holes
in holes only

like the ends of the
long and lonely lives
of castaways
thought dead but not.

Kay Ryan

Hope

What’s the use
of something
as unstable
and diffuse as hope—
the almost-twin
of making-do,
the isotope
of going on:
what isn’t in
the envelope
just before
it isn’t:
the always tabled
righting of the present.

Kay Ryan

Age

As some people age
they kinden.
The apertures
of their eyes widen.
I do not think they weaken;
I think something weak strengthens
until they are more and more it,
like letting in heaven.
But other people are
mussels or clams, frightened.
Steam or knife blades mean open.
They hear heaven, they think boiled or broken.

Kay Ryan

Maya

We are the slow smoke that ascends
from a nonexistent fire:
neither dirt nor water can put us out.
The soul is irreducible as doubt.

Maurya Simon (An excerpt from “Maya”)

Piano

I held him together
as long as I could, she says.

He stopped working,
stopped coming upstairs.

He was like tissue paper
coming apart in water.

Like smoke in my hands.
It had nothing to do

with you, baby. You left
when you had to.

I met a woman once
who worked on pianos.

Said it was a hard job.
The tools, the leverage.

The required ear. I love it,
she said, but it’s brutal.

The second I step away
it’s already falling out of tune.

Edgar Kunz

Lines Written During My Second Pandemic

after Franca Mancinelli

All water flows toward loneliness.
Loneliness is a black eye, a gleaming pit.
We have yet to split loneliness like an atom.
Loneliness arrives on a leash of scorpions.
In my skull, loneliness opens like a parachute.
It’s illegal to chain loneliness to a fence.
Flickers tunnel through loneliness to build nests.
I sprinkle a spoon of sugar over loneliness.
In some languages, loneliness is imperfect.
Antlers crown the bald head of loneliness.
Like rough trade, loneliness won’t kiss you.
Loneliness is crouched in a tree, afraid of dirt.
In the dark, loneliness ripens too quickly.
Beneath the roof of loneliness, my blood drifts.

Eduardo C. Corral

Contact