In her latest Netflix special, Notaro talked about her cat named Fluff, which should have been the title of the show. She fluffed her way through, but with such a unique way of storytelling. She used no punchline and no profanity. The materials took the backseat to the delivery. It’s not what she said, but how she said. I get it, but I didn’t enjoy it as much as I had expected.

Indian-American comedians are killing it. In his latest Netflix special, Hari Kondabolu offers a unique voice on the Trump supporters and healthcare. Redistribution of organ from the rich to the poor by killing the wealthy is a bit extreme, but he makes a valid point for getting started with healthcare. In addition to race, politics, religion, and gay marriage, Kondabolu has intriguing stories on mangoes. Good materials, Hari.

James’s latest Netflix special covers the familiar territories such as fatherhood, allergies, and food. There aren’t any twist and turn or a unique perspective—just straight up family friendly. Light jokes from heavy James.

Ali Wong is back and pregnant again. She delves into juicy details of being a new mother. From C-section to breastfeed, she pushes further toward the in-your-face territory. On sex, she isn’t shy away from pussy-eating, butthole-licking, and period-fucking jokes. She is also an advocate for maternity leave. Hard Knock Wife is a special Mother’s Day gift from Netflix.

In the encore of his Netflix special, Gervais shared that he and his brother have one rule: “If you think of something funny, you gotta say it. Win, lose, or draw.” This philosophy worked out well for him. He joked about letting kids die, getting raped by satin, rubbing nuts on people with allergy, becoming old, watching his testicles floating, and tweeting back to his haters. Gervais packed so many great contents into one hour. You’ll either laugh or be offended the whole way through. I am the former.

One word to describe Barry Jenkins’s epic film has to be resilience. It takes resilience for a gay black boy who lived with a poor, single, drug-addicted mother to become a tough-yet-sweet young man. It’s an aesthetically delightful watch.

Holy fuck! Park Chan-wook’s The Handmaiden is a mind-fucking thriller. So violent yet so erotic. So bizarre yet so beautiful. So twisted yet so sensual. I have never seen lesbian sex this vigorous. The film is two and a half hours, yet not a second is wasted.

French-comedian Gad Elmaleh provides his hilarious perspective as an outsider on American’s culture, slang, and grammar. His materials are not too heavy but not too cheesy either. The jokes are just right. He’s good.

Couldn’t fall asleep last night so I dived right into the “Shrimp & Crawfish” episode of Dave Chang’s Ugly Delicious on Netflix. I started with this particular episode because I wanted to learn the Viet-Cajun cuisine in Houston.

When Chang visited New Orleans he was turned off by the traditionalist. Even a crawfish joint ran by a Vietnamese-America family refused to change the recipe. The chef just cooked the crawfish the way he was taught many years ago. It’s a missed opportunity.

When Chang visited Crawfish & Noodles in Houston, chef Trọng Nguyễn brought Vietnamese rich flavors into the crawfish. Chang doesn’t reject the tradition, but he is also into experimentation and creating new creative fusion. He is an open-minded chef and individual.

The most striking moment of this episode is the conversation he had with a Vietnamese-American shrimper. The man referred to himself as the Vietnamese redneck. He and his family were given an opportunity to pursue the American dream, yet he criticized the other half of the country for taking handouts instead of working hard like them. It’s quite patronizing coming from an immigrant himself.

Chang, on the other hand, simply wanted to give new immigrants an opportunity like we had a couple of decades ago. WhatI appreciate about Ugly Delicious isn’t just the mouthwatering food, but also the political, racial, and cultural perspectives, and most importantly, the openness and acceptance. I am looking forward to watch the rest of the episodes.

The plot of Hou Hsiao-Hsien’s The Assassin is hard to follow, but it doesn’t matter. The experience is slow and splendid. The cinematography is stunning and Mr. Hou makes damn sure that you are not missing a frame of it. As for the title character, Shu Qi’s cold beauty and virtuosity in martial art make her irresistible. A visual masterpiece.